Cinema Trust Hadi Moghaddam Doust, a well -known director and screenwriter of Iranian cinema, has always pursued human and social narratives with prominent works such as white, unpublished, flames, and hiotics. He won the Best Director Award at the Fajr Film Festival with the film “Head to Mehr”, in a conversation about the production of 2 -second films, its necessity and the impact of this short format on the language of cinema.
The need to make a 2 -second film
For the precedent, Sadrian film has special benefits because of its shortness. “The necessity of making a Saddah film is the necessity of making the film in any other way,” he explains. That is, the film is not only necessary based on being cinematic or serial that is long. Filming is an influential cultural work, whether it be Saddah, or a series that may continue for years. “It is also necessary to produce less film than Saddah and shorter templates.”
He says the specific necessity of the Sadrian film is that it has its own benefits: “Greater influence in cyberspace and the development of cinema language are short films. In the case of the first, it is said that a Sadrian film is very easy to handle, and many people see an artistic film with ease and time for a minute and forty -one. In cyberspace, people watch video files under Saddah several times a day, which is usually the news. So the time of watching and the size of the Sadrian movie file is perfectly tailored to watching people watching in cyberspace. That is, one of the useful tasks can be to see the Sadrian movie at the intervals of the phone and social networks. “
“Another importance is to make a Sadrian film, the development of cinema language,” says the author and director of cinema and television. The main burden is the development of cinema on short films. It is less likely that long movies will find the courage to test exquisite expression. The Sadrian film has to be creative because of its much limited time. That is why a Sadrian film also seems necessary to develop the language of cinema. “
Transfer of emotions in 100 Seconds
Moghaddoust points out that depth and influence are directly related to the way you think, not merely a period of time. He believes: “Deepness is time -consuming; That is, we cannot deepen it until we spend time. But the method of thinking can be short, reasonable, and effective, such as a short sentence that is a long time. In the Sadrian film, every moment must contain meaning and influence. “
Film Festival 2, Young Filmmakers Jump Platform
“The 100th Film Festival can be effective in introducing youth,” said Moghaddoust about the status of the Film Festival in the introduction of young filmmakers. In the short film, and more in Saddah, the filmmaker has no choice but to be innovative and creative. Saddathanie is apparently not a long time, but if we look at the validity of the seconds and the filmmaker, instead of more time, with artistic creativity and discovery and deepening the moment, in Saddahi’s film will have to act astonishing. “
“The idea or ideal that a filmmaker acts in a brilliant Saddah film is much more impressive than creating an extraordinary work in a feature film,” he emphasizes. For this reason, the existence of a festival such as the Film Festival, which provides competition for filmmakers who have to deliver special performance, is important. “If a film can successfully overcome the challenge of making an extraordinary work in the form of Sadrieh, the same film could be a launching platform to shine at the Film Festival.”
Offer for young filmmakers
In the end, Hadi Moghaddoust advises young people to make a 5 -second film: “Do not think about making a 5 -second film and pay special attention to it. The Sadrian film should not be assumed because it is Sadrian. There is no shortage. Saddah is a lifetime. “
This year’s Film Festival, organized by the Surah Cinema Organization, is an opportunity for young filmmakers to submit their works to the festival’s secretariat by April 5. Not only is the festival a platform for new creativity, but it also allows young filmmakers to compete in professional filmmaking.