cinema trust The first day of the masterclass “Glory of Cinema” on Sunday 29 October 1403 was devoted to two sessions with the presence of Salim Öji (Turkish filmmaker) and Parviz Shahbazi (Iranian director) and the management of these sessions was in charge of Kivan Kathirian..
According to public relations, Mastane Mohajer, the event manager of “Cinema Glory” dFirst of all, while welcoming the attendees, he expressed his hope that this course can establish a good cultural relationship.
The first session of the masterclass “Glory of Cinema” with the title of independent Turkish cinema and its coordinates with the presence of Selim Öci, filmA Turkish instrument was held.
He rained at the beginning of this meetingH. Kurd: The main reason I came to this course is to form a bridge between Iranian and Turkish cinema. Iranian cinema is very deep and we have always seen it in Türkiye. Iran is one of the countries that has changed and had an impact in the history of cinema.
Oji ZExpressing his satisfaction at the screening of his film in the “Cinema Glory” masterclass, he considered it a special event and said: “One of the first places where the film “Dar Gozer Zaman” will be screened is here..
He with AshAreh said that he started his career with music: I like the short film very much. A short filmIt is not that we want to learn only one thing from the cinema screen. The difference of the short film made it important for me.
Referring to the conditions of making his first short film, he stated: Cinema is something that exists in PrussiaYou learn to do it. I did not keep the scenario and the film I produced My first film went to the Montreal festival. I was very happy; After that, the film reached Venice. The movie, which was made with the lowest cost, got out of Venice. This problem increased my courage many times.
He continued: Later, I preferred to have my own cinema and audienceM. I like to show the real life of people in cinema. I don’t like black and white characters. Because I like real life, gray characters are my priority.
In other parts of this meeting, Salim Oji said: You must collage your experiences; for MCinema is a collage of life. I look around for characters to borrow from for characters. A filmmaker must answer the question “Why should I make a film?” give yourself in the mirror.
This filmmaker said about Abbas Kiarostami’s cinema: “When in SinWe proceeded according to the layout, Abbas Kiarostami took a risk and brought the real characters in front of the camera. After him, a new way was opened in cinema. Nouri Bilge Jilan has also created this trend in Turkish cinema.
In the continuation of the meeting, Salim Oji answered the questions of the attendees.
The second NashA set of the masterclass “Glory of Cinema” was held under the title of creating atmosphere in the cinema with the presence of Parviz Shahbazi.
At the beginning of this meeting, he pointed out the importance of atmosphere creation in the cinema and reminded: sometimes films are made with a good script and flawless direction, and it is also good in terms of technique.We are not a film that we like and have an impact on; This effect lacks spatialization.
Shahbazi said: the screenwriter knows the atmosphere of the film. If the director is someone other than the screenwriter, we have to adapt the budget to the space we want. It cannot be expected that with HeziNot cheap, to create a favorable atmosphere. The budget of the film is the first issue; Because the number of filming sessions increases to create a suitable atmosphere. Besides, you can’t get the actors you want on a low budget. If you need travel and equipment, you may not be able to afford itand it will damage the atmosphere of the film.
In another part, he said: Another issue is the filming time. It means in what season and when you shoot. In addition, certain scenes that must be recorded at certain times should be considered. The problem of some movies that have inappropriate atmosphereNed is the location. The location should be chosen based on the mood of the character. The location must contain the character.
In another part of his speech, this director said: a chart should be prepared showing how much of the film is shot in internal shots and how much in external shots..
He added: dYou have to be very careful in choosing the camera. The next issue is the lens; You need to know what range of lenses you need.
Parviz Shahbazi answered the questions of the audience.
At the end of the movie “Dar Gozer Zaman” was shown with the presence of its director, Salim Evji.
Mastane Mohajer organizes the first master class “Glory of Cinema” and in this project she is accompanied by Clover, a supporter of Iranian culture and art..
Also Ebrahim Haghighi, Parsa Pirozfar, Fereshte Sadr Arafai, Pejman Bazghi, Hamed Kamili, Marjan Ashrafizadeh, Marjan Shirmohammadi, Mehrdad Ghafarzadeh, Kaveh Sajjadi Hosseini, Leila Nakhdipari, Sam Nouri, Dernaz Hajiha, Rozbeh Hesari, Leila Blokat, Parand Zahedi, Majid Nowrozi, Kamiar Mohsenin, Shabnam Ghorbani, Nafs Bazghi, Alireza Akhlikrad, Hanif Sarvari, Sudaba Khosravi, Hassan Mostafavi, Hossein Akbari, Mona Ahmadi, Soha Niasti were among the artists who participated in the first day of this event along with students and art lovers..