Trust cinema Farzaneh Metin in The newspaper of trust He wrote: The play with the scary era that we all experienced in the sixties and the height of the Iran-Iraq war and now we have to see it in the form of a comedy picture in the cinema. In your opinion, if it is not a crime, then what is it?
The movie Zodpaz, which was released on October 17th of this year, directed by Rambad Javan, showed from its very poster that we are again facing a satirical film from the 60s, which is changing the sales figures in the cinema. The same path as Amber Whale 1 and 2, Hazarpa Fossil went ahead and the young man followed the same path in order not to be left behind, but the director thought to himself that if he turns a new artistic couple, No one criticizes it, and this artistic couple included Mohsen Tanabandeh and Navid Mohammadzadeh, comedy couples who are more stupid than each other in comic works. We had seen Tanabandeh in 6 seasons of the TV series “Capital” with the usual Naghi character with a sweet Mazni accent, but the young man wanted to take a risk, so he put his hands on one of the actors who played in the most serious social works, and now they are together Together, these two promised high sales of the film and this kept him satisfied.
Due to the fast pace of the story, Zodpez was cooked early in the first 20 minutes, and after that the audience followed the slow pace of the story. Zodpez didn’t have anything in his bag to show his audience except the design of clothes from the 60s, dance and a series of songs that It needed to make people laugh. Sirus played by Mohsen Tanabande and Shahin played by Navid Mohammadzadeh are two thieves who, upon entering the hiding place of their father-in-law named Kadrat, notice the hoarding of rice and oil. The pressure cooker explodes and Qadrat dies due to the impact, Sirus and Shahin decide to take advantage of Qadrat’s death and martyr him during Tehran’s rocket rain. Finally, they succeed, but because they left clues, their plan is revealed and they are accused in court.
The film, which was made with a budget of 75 billion, was able to make the audience laugh for 5-10 minutes in 110 minutes, with the two-sided gender jokes and the abnormal behavior of the couple who play the role of Bajnag and the comedy of the event. The film is full of contradictions, on the one hand, these two people are looking for areas hit by rockets, but with the rockets of a hospital and the exciting finding of baby falcons, it causes distress and reminds them of hard times, and on the other hand, with other areas hit by rockets, they are happy that they can Leave the body there. The power that is on the shoulders of these two for three days does not smell bad, nor does it look like the dead, and until the end. The film does not have coherence, the fact that the producer made the film in this decade to make his audience laugh is both outdated and boring. Amber Whale was the flagship in this decade and by making its second part, it completed the argument, but it seems that the directors only want to sell. Mostly, they turn to this time again. As mentioned above, what distinguishes this movie is not the story, but the pairing of Tanabandeh and Mohammadzadeh.
A couple of comedians that we have not seen before in the cinema frame. Although the comedy of the film is on the shoulders of Mohsen Tanabandeh and even his performance was a head and neck higher than Navid Mohammadzadeh, he pulls the movie forward and Navid had a supporting role. If we remove these two stars from this long and spoiled story, Zodpez has nothing to offer, not even a humorous situation. This thin story is more like several funny video clips that are connected. If the same script is taken in the Paris of World War II and instead of death to Saddam, death to Hitler is said, then we will see that the pressure cooker has nothing, but We have to take this into account. Abroad, we don’t see any work that presents comedy films during the decades of a country’s war. Mr. Javan and other colleagues, please forget this decade to make a comedy movie.