cinema trust Cinema Museum continues to publish its series of oral history meetings at the same time as the birthday of Rasul Sadr Aamili, writer, director and cinema producer, has published parts of this artist’s speech, which you can read.
Rasool Sadr Aamili said about Abulfazl Pourarab’s appearance in the movie “Qurbani”: Pourarab played a very good role in this movie. He had a kind of internal tension and stress that I learned about later and with more experience.
He continued: Acting is a very difficult task, especially if the actor consciously shows his behavior and knows how he will be seen when his image is on the screen. This issue requires a special understanding and not every actor is aware of it. That an actor thinks all the time about how to get in and out of the shot and from which source to feed his emotions, is an issue that comes to the fore during filming. Pourarab was aware of these things and when he appeared in my film, before that he had only acted in the movie “The Bride” and immediately after that he came to the filming of “Ghorbani” and one of my regrets is that he did not act as he should in In that movie, Pourarab and I did not understand each other. We didn’t have any particular problems with each other, but we could help each other to make things better.
The director of the movie “Shab” also said about this work: Ezzatullah Tzamzi was very sensitive about his dialogues in this film, and the interesting thing for me was the existence of a kind of competition between Khosro Shakibaei and Etzatullah Tzami. The authority of Khosrow Shakibaei was very prominent in the moments related to his reactions to the opposite game.
He noted: Khosrow Shakibaei strangely knew the importance of silence and how to listen. Fortunately, a very good crowd was formed in that movie and Amin Hayai took care of everything and finally received the best actor award for the movie “Night”.
Sadr Aamili said: In this film, according to the plan, the filming was supposed to be done for forty days in the fall season, and our first location was the railway station. I remember we went to the location at five in the evening. When the work was finished, it was already morning and when we left the location, there was about half a meter of snow on the ground, and interestingly, such an event had not happened in the last twenty-five years.
V Stating that 60% of the film should have been filmed in foreign locations, he stated: When we returned to the hotel, I called Mr. Tzamzi and told him that I have to continue filming and that all the shots must be shot during the three days that the snow continues. I will take the one related to the foreign location. Ezzatullah Tazami was surprised and considered this impossible, but if we don’t continue filming, the work would be completely shut down. He asked me to think about it for a while and after an hour he called me and announced his agreement.
The director of “Life with Closed Eyes” said: From the movie “Girl with Sneakers” there are girls in my movies who make decisions and this is due to the current conditions of the society. In the 70s, the girl in the movie “I have a song of fifteen years” wants to be a resistant person and she insists on the decision she made and we understand very well that this decision can save her, but today the situation is no longer like this and a kind of lack Serious balance and confusion can be seen in the behavior of the new generation.
Sadr Aamili stated: The definition of the children of the 80s and 90s about life, love, friendship, society, love and hate is much different than the children born in the 60s and 70s. The new generation has a significant gap with its previous generation. I am more interested in those born in the new generation because they may irritate us a little because of their frankness, but they have an honesty and lack of hypocrisy in their behavior that was not present in the generation of the sixties and seventies.