cinema trust the short film “Behavior” was the first short film made by Abu Nasr al-Gadi.
The screenwriter and producer is also old Abu Nasr.
Sasan Qajar, Samane Alavi and Abu Nasr al-Gadi are the main actors. After registering the script in the Ministry of Culture and Guidance and obtaining a film-making license, it was filmed in two days in the location of Wahidiya neighborhood in Zanjan and the building of the Imam Khomeini Cultural Center of this city. Due to the fact that it was the first film of the old Abu Nasr, there was no pre-production budget included in the work, but most of the team members, with dedication, participated in the film in an honorary capacity or were satisfied with receiving small wages; So that with this empathy and sincerity, they try to contribute to the production of a lasting work in their city.
The subject of the film focuses more on the individuality of the doctor, played by Sasan Qajar, who is a single, middle-aged man who is afraid of death and mortality, and now he is trying to help a girl named Sahar in their neighborhood, played by Samane Alavi, who is interested in acting. But due to geographical and social limitations, this possibility is not available to him. With the series of events that take place for the doctor in the work, including the experience of a bitter meeting with the director played by old Abu Nasr and hearing bitter truths from him, as well as learning from a child who picks up his thrown garbage and throws it into the trash can, he has been transformed. He puts aside his personal desires and dreams and, in turn, tries to improve the neighborhood of his life, during which the residents of the neighborhood see him better. It is possible, in these efforts, tomorrow the locals will witness the announcement of his death on the door of his house, but with an unexpected change of plot at the end, the movie ends.
The old Abu Nasr in the screenplay (who has many years of experience in criticizing the world cinema) does not describe the characters in black and white, but rather they are a collection of good deeds and human and sensual desires that finally reach a kind of redemption. Also, the views of Ishraq Sohravardi’s philosophy are also reflected in this film. In short, it has been tried to reach the objective stage.
It is clear that the old Abu Nasr had extensive financial, time and space limitations in this work and reduced his mental ideas to the limit.
According to old sayings, he witnessed emerging and brilliant talents in the cinema of the province, which surprised him in some places.
This film is in the final stages of editing, which is expected to be shown after production.