Cinema Contemporary, Hassan Lotfi, wrote in the newspaper Etemad: “Now, if we want, we can’t offset the financial and spiritual losses that have been killed by Kianoush. The unauthorized version of the sofa has been broadcast and the money and capital and the time of this filmmaker have been well air. His pain and his request for not seeing this unauthorized version, if he does, will cause a few people to see the film’s ethics and to deprive themselves of a lasting work.
Let’s just say that it has become so commonplace for us that you no longer know what the author’s right is nor remembered, film, music, novels, etc. is a cultural product, and we have to make money like any other commodity.
It is no longer in our minds that the likes of Kianoush Ayari are not just spending their art and life to produce the film, leaving their small possessions to make their own film in the best way. They pass all the blessings of life to…. Let’s go. Don’t refresh myself and yourself. Artists such as Kianoush Ayari, Okta Brahani (Pierre Boy), Hamid Nematollah (Wild Millennium), Parviz Shahbazi (Roxana) and so on. They do not make the film to make the investor and produce the film more. They don’t make the movie a vow to anyone. They make up the law. It is possible to put the law for thought, thought, and art. I don’t mean crossing the known red line of any country. I mean…. Let’s go.
She has taken my throat. You’ve ever seen someone rubbing the thief in front of his eyes and can’t do anything. You have seen a barbaric thief in front of his eyes and someone who does not know the robbery is being bought, and the owner of the goods, sir, Mrs. Nakr is the sex that you buy is mine, and her voice does not suffer when we see a nightmare!
Imagine if you haven’t seen. However, his imagination is painful. The idea of such a person by Kianoush Ayari Nazanin is simple because these days he himself is such a man. We will not, and we will not be able to do the sofa anymore, but until the old boy, Roxana, the wild murderer, the turtle, etc., the fate of the Leila and the sofa brothers and so on.
Offer. Find a solution. We can show such films in a few cinemas. I remember in the years before the revolution at Capri Cinema at the time and the revolution, now sometimes showed special films. Repeat that. Trust the viewer. Do not think we are more ethical, more humiliating, more wise and worried. No one can say that it is more concerned about society than others. Let people see, hear, look and choose themselves. Let’s not be indebted to others. Others who make the film like Brahshani and the viewers who have the right to choose themselves.