According to IRNA, alongside the hotly hot that Bandar Abbas these days, cinema lovers are saddened by saying goodbye to a great blessing. Master Ali Nasirian In his latest interview, he stated that, despite his enthusiasm, he would not help his body’s new roles, and implicitly announce the end of his Empire in the field of acting.
Nasirian is one of the five Avant Garde acting myths in Iran. Ezzatollah Entezami, Mohammad Ali Keshavarz, Davood Rashidi And Jamshid Mashayekhi Each of the pride created legendary creation. Nasirian, however, entered the galaxy a little earlier. This old man, who today, said goodbye to the acting world, formed one of the first modern theater groups five years ago and played an effective role in the transmission of the Iranian theater industry from that primitive and traditional form to the modern Renaissance.
In those days, he both wrote, executed and had a great contribution to the use of subordinate talents. This practice led Nasirian to bring his performances off the street, to the television studio, and at the same time watching his performances on the scene of theaters.
The noise that had begun in the second half of Iran’s 1980s was definitely Ali Nasirian’s high activity. A handsome artist who is alongside talents such as Bahram Beyzaie, Ezzatollah Entezami, Jafar Wali, Raknuddin Khosravi, Abbas Javanmard, Akbar Radi And Gholamhossein Saadi It had a great role in the formation and consistency of modern Iranian theater.
This practice led to a performance in the year 5, which symbolizes the intellectuals of pre -revolutionary cinema. With this enchanting role, he succeeded in bringing the mission to the theater in the theater and parallel to the new intellectual flow with Dariush Mehrjui, Masoud Kimiai, Hejir Dariush, Sohrab Shahid Saleh, Bahman Farmanara, Farrokh Ghaffari And Abraham Golestan In Iranian cinema, he, along with four other mythical figures, promoted the balance of professional acting in Iranian cinema, which was in line with world -class algorithms.
Nasirian, however, has always made the right decisions in his life all these years and made the right choices. In all these years, he has not been wage -raised in the wages to appear in low -profile works, nor does it get caught up in the field.
If we look at the actor’s cinematic record only, we find that he has been in at least five Iranian cinema history films, which is a remarkable record in the actor’s record.
For Iranian cinema, which has too much back to its young stars, Nasirian has been the star, and every year, he received many suggestions for the game. Like many of his peers, he never became a duplicate cinema with stereotypical roles, and has even gained new experiences in recent years that made new achievements for Iranian cinema and the actor’s record.
The important point is that the Nasirian’s intellectual course, which began in the 1980s, continues to this day, now that his farewell news in this field has become a shocking news bomb these days. He is not an actor, but a modern thinking in the country’s culture. In cinema and theater is theorist; He is well acquainted with music, and in literature, he has raised himself at the level of a keeper. How many such thinking has emerged at this level since the year that Iranian cinema has seen an actor?
It is a great happiness for any actor to stay at the peak for five decades and to say goodbye at the end. An actor whose consecutive commemorations and commemorations of these years, in the age of forgetfulness and neglect, show the importance of this view and art to the Iranian people. Goodbye is at the height of honor, but the loss of this great thinking and the lack of succession for this behavioral style is a great lack that will definitely not be compensated.