Cinema Trust Rasool Sadr Ali, among young filmmakers, explained the experience of making the movie “Call Me”.
According to the Public Relations of the 14th International Film Festival, Rasool Sadr Ali, the director of the film “Beautiful Ingredient”, who was known as the Best Film Festival at the Forty -third Fajr Film Festival, attended a question and answer meeting with young filmmakers on the sidelines of the film festival. They never allowed our studios to be formed and powerful producers would be born from these film studios. That is why cinema becomes a television show that is good but not cinema. We have to think why this has happened to many of our filmmakers.
“We have worked very poorly,” he said of the economic problems in Iranian cinema. The first movie I felt less poverty to make was not having to look for money “Call me beautiful”. If this poverty was not in Iranian cinema and we had not had to look for primitive money, the world would have been conquered by Iranian cinema.
The director of the film “Beautiful Voice Me” said about how the film was formed: Years before the Center for the Intellectual Development of Children and Adolescents, the best -selling novel called “Beautiful Call Me” was written by Mr. Farhad Aslanzadeh. I felt I could do it for it. Then the process of writing the screenplay and its production was prolonged, and we were finally able to reach the Fajr Festival.
“The film was very difficult because the story was written five years ago and its relationships were changed to today’s world,” said a veteran director of cinema. The two main characters and the location belong to the book. Khosrow was in a good and beautiful sanatorium in the charity dormitory. The rest of the story was rewritten, but the same amount of story that the book gave us was very good.
“We had production about 6 months ago and had no rush to film,” Sadr said. We’ve examined everything on paper well to know exactly what we want to take in the filming days. With the presence of a good filmmaker and working on the storytelling, we would collect the work in two film sessions, even if it could take six months to shoot. However, my commitment was 2 film sessions and only 5 sessions. Tried to make less error and tried to make the movie, the cinema in the real sense; The cinema where the viewer sits and sees that it is happening on the screen that makes it good.
“The scene tried to accompany me as much as it could,” he said. Most importantly, it was the understanding and word of the hearing that Amin had a life. Still, his body’s flexibility, his form and artist helps. We worked with a face actor and we had to keep the film with him.
Sadr al -Sadali said the street is similar to the film “A Girl with Sneakers”. In that movie, we also met a girl who liked to walk on the table, but the story “Call me” was very different.
Sadr Ali emphasized that such films need audience support, saying: “It takes three weeks to see the film as soon as the audience trusts the film and comes to see the film, so the film will be unveiled.” We have made every effort to present this cinema to you.
The director of the film “I am a song of 5 years” said: “I haven’t got a rent or money from somewhere since I have been filming. For the first two films, even the continuation of Islamic culture and guidance and the Farabi Cinema Foundation were not formed. I personally have tried to stay cinema and be until today that will reach you and I hope you are a good trust for it.
He pointed out that cinema is for the younger generation who has just entered the field: “I read from you at least two screenplays a week, but what can I do that I can help make films.
Sadr also explained: Working with young and new actors wants patience. The important thing is how the responsibility of a 5 -year -old girl or boy is. It was important for me to have an ordinary figure in the role of the girl so that everyone could think with her and everything is size. We worked on Juliet Rezai’s voice for six months to eliminate her accent.
“The actor needs to know how much it should play,” he said, adding that cinema is the size of the art cinema. As someone who has been melodrama for 5 years, I was still afraid that the sizes would not be reduced. Part of these sizes is achieved with experience, and part of it goes back to the actor’s ability.
The director of the cinema continued: “In all things, I was the concept of fugitive and I don’t like to make the concept. You have to narrate something and give you the opportunity to others that everyone has their own perceptions.
“Acting is physically difficult, but you just know who you want,” Sadr said. Everyone is an actor of his life. The important thing is what you want as a director. It is harder for me to work with someone who has gone to the acting class because I don’t know what they have understood and it is difficult to replace them.
“Working with professionals is another way to try to get the waste of the previous role out of his mind and make his new role in his mind,” he said. The director’s job is to make the right choice. He has to choose a ruthless story and not seek a friend, familiarity and support. If he is the best actor who doubts me, I won’t work with him. It is important for me to believe and respect me when I go to the scene and respect and be from the beginning to the end of your work.
“We hope the audience will support these films, but the reality is that production is a handmade, and this is not a good thing,” said the director of “Call Me”. Sometimes sales of $ 5 billion have no virtue, but Iranian thinkers and thinkers need support. Be careful not to keep this cinema and not lose.
Also, Sayyid Maziar Hashemi said: “The cinema is the son of his time. If “Call Make Me Beautiful,” is reminiscent of “a girl with sneakers” because they each have to pay attention to the demands of our teenage generation that we need to hear more. It is possible to say and hear these needs in the cinema that cultural values are still going on.
He added: “The film was made under $ 5 billion. Of course we are going to pay some of the costs later, but with a pure and life -long spirit, we were able to work together with the team whose hearts for the cinema of Sadr -e -Sadr and completed the work in two sessions.
It is worth mentioning that the Empistration and screening of “Natur Dasht”, “People’s Baby” and “Beautiful Voice” was one of the 14th International Film Festival of 100, where the directors and filmmakers of the talented film were held at the film event.