Cinema Trust Mustafa Kiai, who recently made a license for a screenplay called “The Sharif Job” to return to the cinema after seven years, produced the film “Kill the Game” last year. In an interview with ISNA, he said about his reasons to avoid cinema, focusing on serialization, the hardships of producing “Play” and the reaction of football residents to the film that these days is directed by Mohammad Ibrahim Azizi.
Cinema after “Motab”
The filmmaker, who was last for the last year before Corona’s outbreak, was the best -selling film “The Cinema”, at the beginning of this interview. In response to which Why has been out of the cinema for a few years as a director The reality is that in all these years my work model has been so excited to work to work and so I loved it whenever I made any movie, but after the film “Corona and Cinema Closure, I was in the cinema, as well as the conditions that came to the cinema. To work. It was at the same time that I was working on the “Snening” series (for the home theater network) for about a year, and I felt I still didn’t want to work in the cinema because there was no story and theme that would delight me as before.
He continued: “In addition, we reached the government change in year 6, and the members of the Licensing Council were not at that point in the time I wanted to give them a screenplay, so I decided not to make a film.
He is about his presence in the “Game” project He said: Despite my emphasis on not working, I read the script at the insistence of the director (Ibrahim Azizi), and because I loved the story, I agreed to make it, but since we were in our office most time on the screenplay to find the value of the film and the film, we had something to return to the camera.
The inflamed spatial narrative was fascinating to me behind the football curtain
Kiaei, who will soon make the series “One Thousand and One Nights” to the Home Theater Network, about the particular subject of the film and its bitterness of the films he directed by himself. He said: “Every director and writer must have his own tone and characteristics, but a common issue of” Draw “with my work, dealing with a social issue such as corruption and events behind the scenes was that I had come to them in the” Special Line “,” Ice Age “and” Barcode “. The film, which tells me the inflamed atmosphere of football adventures, was fascinating to me, but my personal interest and Mohsen (the main actress) of football encouraged me to get into this story. However, the director had his own director, and its tone is not like my filmmaking.
In response to what difficulties did they have to make a movie and where did the film’s backdrop information come from? He explained: Producing this film was really difficult because during the research and writing of the screenplay, wherever we wanted to do field research and find information, it must have been an obstacle, and that continued at the time of production, so that everywhere they realized we were doing the film, we were making all kinds of problems, and we would have the right problems.
He About film making in a city other than Tehran He also said: The reason for making the film in the city was due to the widespread volume of corruption and such events in the football subgroup, which is much higher than the main leagues because there is not even allowing the tournament to be filmed and the amount of betting is weird and the space is very contaminated.
Talking about heavy financial displacement is sure to put pressure on
“My son has a strong tendency to football and plays in Tehran,” he said, adding that young children are also involved in this contaminated atmosphere. There, too, I realized that heavy money was exchanged behind the scenes of the kids and who played in the team; For this reason, when you talk about this heavy financial move model, you must be pressured and pressured. However, we have decided to make this film in whatever way it happened, and in most cases the first filmmakers bring capital with them and only look for a filmmaker.
Fear of some footballers from the federation and clubs to promote “Kill the game”
Kiaei about the release of this movie and the feedback of football To the film He said: Footballs had a dual deal with the film. Some believed that by revealing these events and behind the scenes, families’ confidence in the football space would be lost, and some believe that these films could help clean the football and awareness space, but in the end none of the two groups were willing to help the club’s promotion and scared some of the clubs.
He also about the screening status of “Kill the Game” about the release of the more comedy films, and his evaluation of the release of the film. He explained: In principle, football and sports films are not very popular with people, but our film, although it has a football subject, is in reality a puzzle film. However, these days people are not very bored of watching serious movies and prefer to go to comedy films.
Manufacture of “noble job” social comedy and simultaneous broadcast of “One Thousand and One Nights” on domestic and foreign platforms
At the end, Kiai said in response to what the new film is and when it key, he said: “The new film (noble job) is a social comedy that will soon enter the pre -production phase and I hope we can produce a standard and attractive work.” I am also involved in the post -production series “One Thousand and One Nights”, and Ann Shallah will soon be broadcast on the Filimo platform and will be broadcast simultaneously on several foreign platforms.
“Kill the Game” starring Mohsen Kiaie, Hoda Zein al -Abedin, Mohammad Bahrani and Pouria RahimiSam, with bitter events in football that was unveiled at the Fahhar Film Festival last year and has recently been nationwide in the cinemas of the country.