Trust cinema In a report, the online newspaper Faraz has reviewed the film “Lolita Khoani in Tehran” starring Golshifteh Farahani and Zar Amirbrahimi.
Quoting from the best In a part of this report, you read:
Several Iranian actors and an Iranian writer have signed a contract with an Israeli group to make the movie “Lolita Reading in Tehran” and walk hand in hand with the Israelis on the red carpet. The release of such a film with such a combination of actors and creators is more than an artistic and cinematic event at this critical historical moment.
Farahani had previously collaborated with Riklis in the film Sarpanah; That film shows a positive and committed image of the Mossad, which arranges plastic surgery and puts a personal bodyguard in order to save the life of its Lebanese informant! On the other hand, it creates a false image of Lebanese Hezbollah members.
This time, Golshifteh Farahani, Zahra (Zar) Amirabrahimi and other Iranian actors of “Lolita reading in Tehran”, in unhesitating cooperation with the Israeli producer and director, have presented a privilege and a golden opportunity to the politicians to use it to prepare the minds of the audience and spectators. Use media framing for war with Iran. A review of the actors’ careers shows that their presence in this film and at this time was based on the previous background and based on their resumes and careers.
Golshifteh Farahani was not the first Iranian actress who immigrated voluntarily or by force and settled on the other side of the borders, but almost none of the Iranian male and female actors who left the country before or after her, achieved Farahani’s fame and professional success. . Shahreh Aghdashlou and Sosan Taslimi are old actors, and Zahra Amirbrahimi and Shabnam Toloui are among Farahani’s contemporaries, more frequent and familiar names who continued their professional activities after emigration and became known.
Golshifteh was perhaps the luckiest Iranian actor in a way, but his success and visibility is not only due to his acting talent and film and artistic background, but also due to his completely oriental face. Even in her personal and professional life after immigration, Golshifteh Farahani followed the desired and familiar path of the European and American audience: at the beginning of her career in French cinema, she became naked in front of the camera so that her work would be a symbolic confrontation and still based on the Western stereotype with the status of Middle Eastern women.
After playing in several movies and becoming famous in the cinema, he also created the image of a political fighter by being active in social networks and being in the crowd of the opposition. Everything became what it should be: the ban on exit, immigration, freedom granted in France, symbolic struggle against the slavery of Eastern women, success in the free world, raising the flag of struggle for the country of origin and its people! And the released oriental woman package is ready!
Now a movie is showing a violent, anti-culture, anti-art and anti-human image of Iran and Iranians. In “Reading Lolita”, the viewer sees Iran as a country where even reading a book is a crime and talking to men and politicians. It will be impossible or completely useless. It is natural for the western audience to conclude that there is no other option but military attack and war with such people!
Golshifteh Farahani, Zar Amir Ebrahimi and other Iranian actors of “Lolita reading in Tehran” have joined hands with the Israeli group to prepare the eyes and minds of the American and European audiences for the attack on Iran!