Cinema Farzaneh Matin-On the third day of the festival, a phenomenon called Raha with a bitter taste that shows the director’s brilliant future has been released. Now, after two decades, we can see the influence of Asghar Farhadi on Iranian cinema. The script is a copy of Farhadi’s works.
Hesam Farahmand prepared his first work with controversial poster for the Fajr Film Festival, the word release in poster became a meaningful sign that can be decoded by watching the movie. And because it is not distressed and dependent on the head, indicating the death And it is emancipation.
Railed from a cinema that had been forgotten for many years, and Farahmand with a bitter and sad story, but far from the misery that directors such as Saeed Roustie, Mohammad Carte, etc. The former has brought a decent and outstanding work to the cinema.
Mohammad Ali Hosseini as screenwriter, several endings for this He wrote a fascinating and, of course, tangible idea that Farahmand has also tried to use all the endings and has not been finished with an end. I wish, the creator He didn’t give up so much to finish the film and did a compact finishing and did not cause the audience at the end of his work.
On the one hand, he did not want the end of his film, like other Farhadi works, on the other hand he tried to keep the audience thirsty until the last moment and end with the shocking end that is most commonly seen in American criminal mini -series. He wouldn’t have to make a dramatic end to his film If it is said that abandonment is not a good thing. You should know that the film has been hit by its end, not narrative and story.
Shahab Hosseini, Ghazal Shakeri, Zaha Ismaili, Arman Mirzaei, Hadi Eftekharzadeh, Mahni Mehrparvar and Sepideh Pahlavan Zadeh are artists in the abandoned role.
Raha, the story of a middle -class family that has been reduced because the father of the family witnessed a heartbreaking incident afterwards. Second -hand fixture that buys from the samples. He uses his own and sells some at low prices. And the sad family is buying a laptop for their daughter because it depends on it.
What is highly influential in the film is careful characterization. Shahab Hosseini in the role of Tawhid is a shameful but optimistic man that a husband and father is not responsible and causing Soraya to play Shakeri’s sonnet in the role of family mother, Soraya is constantly being overwhelmed by Shahab Hosseini Ravan, a real and tangible water. He has shown well with his inherent ability, even in the worst films, he is proud of his role. Bar plays the role of a middle -aged woman after a numbered mother and wife who is constantly faced with successive failures and has to spend a sewing life, providing an acceptable game in general. Doubt an important part of the charm The film is due to the chemistry between the two actors.
Tawhid wants a man to be a responsible man, but the economic and social conditions of society do not allow him, and the suffering that the society has imposed shows what is happening to a decent family, and this is a danger siren for the authorities. The sequence has not been black and showed the facts.
Tawhid has no self -esteem, but when his family is disrespectful to the affluent and painless strata of society, when his family is disrespectful, when he is no longer a self -esteem of self -esteem, he now abandons the ethics and brings his bullying to his bullying. The title of the father of the family shows.
The mirror movie is the full height of our community these days that livelihood problems He puts his hand on the throat of every single person in the community and is choking.
Raha is beyond a first film, provided that the end was not so changing and the direction of this bitter tragedy is full of details that the director has implemented as much as possible and maintained its cohesion film. .
Finally, the film ends after a lot of arches, the cinema lights are on, the audience is slowly leaving the hall, but all have the same aspect; The strand of released hair is tied to their fingers.