Trust cinema Sara Haddadi wrote in Etemad newspaper: Shida and Vaheed’s obsession was not alive in Yadgar South, a story which, although the author tried to end coherently with a romantic melodrama of the seventies, had no color; The non-linear screenplay was not narrated correctly. The love and revenge path of this story does not lead the audience to an intelligent confusion, but the story is told in sections only to carry the name of the non-linear screenplay.
The circle of the hero of the story and revenge is no longer like it was at the end of the sixties and the beginning of the seventies, a love that is not even made and the only character Vahid, played by Vahid Rahbani as the protagonist, bears the entire burden of the mistakes of the script and the wrong punctuation of the story. , an actor who has proven in other mediums such as theater and television that he has the technical ability, characterization and character building, now in this dull and wandering story, he is fighting to save the film, although despite all the characteristics of a professional man, he could not succeed. , because the author has reduced love to the border of insanity and disease in the process of the story and tied the hand of the actor with this ability in this way. Yadgar Janub is a slow film that passes important events quickly and does not even give the audience the right opportunity to understand the knots of the script to discover and intuit, a love that is not formed loses even its temporary believability.
The wrong use of the actors makes the film even more awkward, Sahar Dolatshahi’s wrong acting with a weak southern accent, an ordinary Elnaz Shakerdoost with a television role in the cinema frame and in the acting of Pejman Jamshidi is abundantly seen, only Saber Abar with make-up, tone and clothes, etude A neat actor films in the crowd and leaves the frame of the picture without a complete characterization of the character; Vahid Rehbani, however, is trying to create a crazy, loving and strong man in the eyes of the audience, but the bad co-stars, incomplete story, flawed framing and cinematography also make him weak; But let’s remove many plans from the movie, a movie without the presence of Saber Abar, Sahar Dolatshahi, Masoud Karamati would be the same lifeless movie as it is.
Although “Southern Monument” could have been an average script with the overall idea, it is considered a confused and weak film with the way of dialogue writing, actor selection, exaggerated stage design, average costumes and make-up. Perhaps it should be said at the end, Mr. Hossein Amiri Domari and Pedram Pouramiri, the audience will not get any souvenirs at the end of the film, even from the south.