Cinema Trust The press conference of the film “Deep Turk” was held with the presence of agents and actors. A movie about people’s loneliness that comes to a time when you have passed from young and middle -aged and are now engaged in the implants of his youth.
According to the Public Relations of the 40th Fajr Film Festival, the film “Deep Turk”, directed by Arman Zarrin Kub, this afternoon, Saturday, February 21, on the second day of the 40th Fajr Film Festival, performed by Mohammad Reza Moghaddam, Producer), Mohammad Hosseinvand (editor), Majid Leilaji (stage designer), Reza Babak and Babak Ansari (film cast) were held.
At the beginning of the meeting, the producer Mohsen Chegini said: “I would like to thank all the factors at first and I hope” deep cracks “have been popular with media and audiences.
Zarrin Kub: The first goal in filmmaking is to attract audiences
Zarrinkub, the director, said about the script’s design: “The design and screenplay” Deep Turks “took about two years. Cykodrami derived from loneliness and love was a subject I wanted to deal with, and was due to my personal concern. I would like to say that our perception of old age is our youth planting.
The director continued: “At the beginning of the film, the main character is discharged from the mental hospital. My intention is not to show the problems and problems related to mental hospitals. It was merely to advance the drama and I had no other purpose.
“The first goal in filmmaking is to attract audiences, regardless of the genre and theme,” said Zarrin Kub. I think this movie can attract the audience, but how much it will sell is not a forecast. We will probably face challenges because of the genre of work because in Iran only comedy is sold!
“I do not accept it,” said Zarrinkub, in response to the question of inspiring the subject of the works of the late director Hanke. Of course, after a friend of mine told me to see that movie, but it wasn’t a copying issue and I had no idea about it.
Art and cinema is humanist
Reza Babak, the actor, said: Mr. Zarrin Kub was very well guided me about the innerness of the personality. All aspects of the character are in the soul of Adam, and the actor has to show the techniques he knows and the director, the cameraman and the spacecraft and create the character. This was not my favorite character, but for an actor like me who likes to experience different characters, the character had a strange dimension that I wanted to play. I have to say that the game was unique, and the audience’s criticism could be guidance for us to fix our errors.
He continued: “I have a suggestion in a movie that has a strange story and I would love to play the role. Hopefully it is provided for its construction. I like to experience different roles. I even like to experience humor. Cinema, theater and art is very great and humanist. Children should be educated with art from childhood.
The movie does not need to the audience!
“I love this kind of narratives, and in this attack we have of narrative cinema and we need to inject and inject it into the audience to see the comedy and humor work, such a work has attracted me. And I wanted to play a role. While Mr. Zarrin Kub had a good aristocracy, and this specific intellectual path made me in the film. Meanwhile, Mr. Zarrin Kub was also very good and helpful.
“We have external jobs about our various jobs,” he said of the authority of the police personality. Basically there is no absolute black person in modern life and all are gray. At first glance, it may seem like we are faced with passive police, but the point is that I play the role of prevention police in the film. The important thing for us is that he should not do something in a situation that anyone else did. The police, in the film, tried not only not to behave wrongly to control and prevent the situation.
The design of the scene is mini -side
“I tried to design a very minimalist scene,” said Lilaji, a film designer. Everything we see on the scene plays a role in the drama process. In fact, I tried to walk the scene as much as the screenplay!
Hosseinivand, the editor, said: “Mr. Babak’s game was so good that it made it difficult for me to cut the scenes. But given that all the job was in a fixed location and the audience might get tired, we tried to keep the rhythm and the tempo. What was important to me in the cuts is to show the views and locks of the doors that could be considered a sign. In my opinion, the rhythm of the film is not slow. It is important to formulate that the rhythm is suitable for the film and the subject of the script.
“We work in an environment where regulations need to be met in portraying issues such as the presence of police,” Zarrin Kub said of the script’s semiotics. While I wanted the film and the audience to participate and the audience was trying to find and find relationships. I have to say that some of the stories require slow rhythm. The rhythm should not be emphasized because it has often tried to express a psychoanalytic concept that needs to be met slowly.
“This movie is about people’s loneliness,” he continued. This genre comes to a time when he has passed from young and middle -aged, and is now engaged in withdrawal from his youth planting. Hranny can make a mistake, but there is no escape from the suffering of some errors, and the more time it takes, the more suffering is more than some errors.
“This kind of story must be presented with the same rhythm,” Chegini said. Whether or not it is successful in the release is ultimately the decision of the audience. The film’s focus is on the subject of “empathy”. If we look at the “deep quit” with this look, we will no longer have a question about the authority of the police!