Complaints of the filmmakers of “Antique”


Cinema Trust Quoted by Tasnim, in the text of this statement:

It has not been almost a week since the factors of making a movie or a television series from the Public Relations of the Endowment and Charity Organization to request a filmmaker in the spiritual and Islamic -Islamic architecture of one of the Imamzadehs and shrines. However, the selection of the physical space of the Imamzadeh as a location or filming place is pursued by the filmmakers in a spontaneous way, and the Endowment and Charity Organization has not given any special incentives or advertising in this regard.

Therefore, the close relationship between the Imams as one of the spiritual, cultural and social bases with the country’s cinema is a long -standing and meaningful relationship, indicating that filmmakers choose a place to tell the story of a story that occurs within the community, which is a shelter and a shelter. The people of this border are canvas. According to Saadi: Khorram, the monument, which is there, is there/comfortable life and healing of the patient’s heart.

But with the release of the film “Antique” at the Fajr Film Festival, there have been discussions about the story of this film and insulting the authenticity of the Imamzadeh in the cyberspace and media of the country, which the Endowment and Charity Organization needs to be briefly. To point out in this context:

First of all, it is unfortunate that a film is such a superficial and valuable film that not only adds to the boom of Iranian cinema, but also by disrupting the artistic and cultural atmosphere of society. In our opinion, the film “Antique”, which acknowledges all critics of an egg -shoulder film full of humor and humor with an imitated and completely worthless story, and a mix of speech and reflection, is an insult to the Iranian people’s minds. The wise people of the country are not so simple that the authenticity of several hundred years of phenaries with the Imamzadehs is the same with the weird and fake seedlings and the same burden of any head.

Secondly, the story of the popularity, authority and pilgrimage of the Imams and the holy shrine among the Iranian people is not today and yesterday, but it is rooted in the centuries of the eradication of the pilgrimage and this long -standing man, which despite all the enemies’ efforts, the spiritual gap The blessings in all the post -Islamic history have always been in the hands of the post -Islam. Million and the growing people in Liyali Ghadr, during the time of Muharram, at the moments of the year, and other national and religious occasions are not covered.

The statistics of the aid and the arrest of the poor and the needy and the assistance of the floods and Corona and other unexpected events that have been blessed by the Imamzadeh in the last few years cannot be abundant. Another report on the cultural, social and Quranic activities of the Imamzadeh also has a detailed account and does not fit into this article.

Thirdly, the Endowment and Charity Organization, while condemning the derogatory content of the film, reserves the right to follow up and complain to the creators of the film.

In addition, the birth certificate and information of all Imamzadehs are available at http://www.emamzadegan.ir/default.aspx.

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