Cinema Trust The 13th Independent Celebration of Iranian Documentary Cinema (the first period of the Iranian Documentary Cinema Academy) was held with the introduction of its chosen and several celebrations.
According to the Public Relations, the 13th Independent Iranian Documentary Cinema Celebration (the first period of the Iranian Documentary Cinema Academy) was held on Sunday, March 23, at the National Library Pen Hall with a large number of documentaries.
At the beginning of the ceremony, after the national anthem was broadcast, Homayoun Emami, Manouchehr Moshiri, Hassan Bahramzadeh and Kaveh Bahrami Moghaddam, the documentary cinema pioneers were shown.
The corporate institution is an actual institution, not a reactive
Then Mohammad Shakibania, the head of the 13th Independent Iranian Documentary Cinema Celebration, was invited by Hamed Najm al -Hadi, the presenter, and said: “The thirteenth celebration finally reached the final station after two years and I am happy to have the results of our friends with the empty hand and, of course, the warmth.
The documentary emphasized that the independent celebration of documentary cinema is a trade union and is being held by the Cinema House and the Cinema Documentary House, saying: “The trade union is an active institution, not a reactionary entity, and this is our celebration of community events.” A trade union is to work on the dialogue, not to prevent dialogue and to be angry, and I think this celebration has been our work to achieve this goal. The trade union is a mediator to protect and protect the interests of its members so that it can stand in the middle of the day and bring the voices of directors and artists to the decision makers, and we think the documentary cinema academy should be the following.
“Friends who were active at the academy are about details of statistics and information,” he said. Those who are members of the academy are those who have celebrated the celebration in the past twelve periods of the statue, are the referees and pioneers of documentary cinema, or the art, art and thought residents formed a group of four people and watched the films of the documentary cinema celebration. In the second phase, when the short list was identified and the candidates were appointed in each discipline, four people announced their choices in these two disciplines that we will know tonight and top.
“The Hashor system was our supporter, which sent me a few hours ago,” said the secretary of the 13th Iranian Documentary Cinema Celebration. Documentary films were watched in the first period, and 5 points were given to the films, which was less than the first round. We have always been reluctant to talk about the movies and statistics, but now I read the Hashor report from the thirteenth period; The documentary movie was watched for 5 minutes and the record for a movie “Mirror Fever” is 2 minutes, which is the longest celebration and a 5 -minute celebration. The films “Kashim Love” with 2 times, “Iran Miss Husband” with 2 times, “Flying Over the Sun” with 2 times, “Bread Wind” with 2 times, “Cold Bread” with 2 times, “Amps” with 2 times, “Shadow of Sultan” with 2 times, “Three Sisters” with 2 times, ” The most visited films of this period were the independent celebration of Iranian documentary cinema.
In the final part of his remarks, he said: In addition to the owners of honor, pioneers and referees of the previous period, some were introduced to the academy by the board of directors, who were not documentary in cinema, and as a university professor or writer.
At the end, Shakibania broadcast a recorded voice of Mahmoud Reza Rahimi, director and theater lecturer and one of the invited referees who had been introduced to the Academy at the invitation of Alireza Dehghan, in which the theater artist admired the works of the 13th Independent Iranian Documentary Cinema.
Following the ceremony, the dedication of the documentary cinema was aired, in which late filmmakers such as Akbar Alami, Fereshteh Taerpour, Khosro Sinai, Bektash Abtin, Abdullah Omidvar, Jafar Pidar, Morteza Poursamdi, Raymond Hojkimian, Mohsen Hojkimian, Mohsen
In another part of the ceremony, on the occasion of the 100th anniversary of the documentary “grass” directed by Mary Cadul Cooper and Ernest Besasak, a clip of important productions of Iranian documentary cinema was broadcast.
Celebration of five previous secretary of the Iranian Cinema Documentary Celebration
In this section, Hamid Soheili, the late secretary of the fourth documentary cinema, was honored with the presence of Mehrdad Zahedian and the wife and son of Hamid Soheili.
Mehrdad Zahedian, president of the Association of Documentary Cinema Directors, said: “We are proud, we are celebrating the 13th celebration and I hope this celebration will be sustainable and represent the ability of documentary cinema together.” Mr. Hamid Soheili was one of our documentary cinema. I have said that their spouse’s service is one of the great features of Mr. Soheili to pay attention to the details and the range of references that created different elements of different meanings.
Then Ramin Heidari Farouki, the secretary of the fifth celebration of documentary cinema, was honored with Mohammad Sufi.
Mohammad Sufi also stated: Year 2 I became a cinema student, the first year we had a young professor who all the students fell in love with. Despite the low age distance, they were screened at the height of the script, and we all had knowledge and intelligent knowledge with an extremely charismatic youth. I was pursuing their success for many years, and I had been with them in the community for two consecutive periods, and I learned a lot from them.
Then Ard Zand, the Sixth Section of the Documentary Cinema Celebration, was honored with the presence of Shahram Derakhshan, and Majid Khaleghi Soroush, the secretary of the seventh term, was attended by Mohsen Khan Jahani and Mahboubeh Henry Eighth Secretary by Sam Kalantari.
Mahboubeh Artanian said on stage: Thirteen years ago it was the last time I was allowed to make a film. Thirteen had been silent for thirteen years, but it certainly had not surrendered, these years have been reminiscent of a lifetime, but at the same time reflecting the power that was moving forward, there were a lot of struggles, and the stones that made us make our way harder and perhaps made us difficult, but it certainly stopped us.
In the final part of his remarks, Henryan emphasized that there was no other way left for professional activity: I hope to see a day when a filmmaker will not choose one of his voice and camera and his survival, and with the hope of seeing his work in his home and among his people, he would not have to cross the roads.
In the other part of the National Library, Gholamreza Amirkhani, as the other speaker of the celebration, was present behind the podium and said: “The National Library is Hafez and the Written Heritage of the country and can have a close connection with documentary cinema.” Documentary cinema can play a role not only in discussing the presentation of truth artists to society but also in the field of cohesion and social capital increase. In the forties, when American society is to be persuaded to be persuaded by the issue of war, they are directing the task of directing, which is, incidentally, completely human; Frank Capra, “Why are we fighting?” Build. A film that was very influential in American society. There are many other examples of this, I remember the late Khosrow Sinai, who had a released late in their lives and had new things about their film at the time. Documentary cinema is really a brilliant and rich cinema.
Celebration
In this section, Morteza Razaghi Karimi and Alireza Hosseini, secretary of the Cinema House and Ara Shawardian, representative of Armenian Christians in the Islamic Consultative Assembly appeared on stage to commemorate others.
In another part of the ceremony, the Hashor platform celebrated Saeed Poursamimi with the presence of Farzad Azariipour, the director of Hashour and Mohammad Shakibania.
“This is the award for the Hashor System that helped us a lot,” Shakibania said. We did not have the Best Speech Expert award during this period, and to win the award in the following periods, they decided to give Mr. Poursamimi a prize whose warm and creative voice made documentary cinema appear.
Azeri Pour also stated: Hashor has been giving a gift to all the candidates, which is a one -year sharing of the Hashor and the award will be available to all candidates.
Celebration of Mehdi Jafari
In this section, Mohsen Master Ali was honored by Mohammad Jafari, the director of the documentary cinema.
“As the one I have been educated for years, he (Mohammad Jafari) was my teacher,” Master Ali said in a speech. Mohammed Ja’fari hook his hands to stand on his shoulders, and the lesson he gave me was that he had to be the voices of those who were quiet.
Mehdi Jafari also said: “Outside of the compliments, documentary cinema is not good at all, our young filmmakers have no safe margins now, with their nobility bringing them to jobs that are not in their dignity, and even some live in a paternal home.” When we go around the world, we consider Iran to be the paradise of documentaries because it is a country full of point and subject, and we say that we are not so immune and have no security. I haven’t even made a frame on the documentary network and I don’t know what all these rents and discrimination are for.
After the end of the celebrations, the music band performed several pieces of music for the audience.
Awards
In this section, all the candidates were given a certificate of appreciation and then received the selection of each section of the stone valve.
Best Music Candidates: Khashayarr Lubricant for Documentary “City” – Mehdi Khosravi for the documentary “Husband of Iran Khanum” – Ali Samadpour for “Taste of Water” – Younis Eskandari for the documentary “Escape of the Palace” and Saba Neda for the documentary “Kashim
The Statue of the Best Music Based on the Views of Documentary Academy of Cinema was awarded to Saba Neda for the documentary “Kashim Love”.
Best Sound Candidates (Sound and Sound): Mohsen Asgari Zadeh and Mina Mashhadi Mehdi for the documentary “Persian Primary School” – Shahin Pardadashi and Ensieh Maleki for the documentary “Rakh” – Hossein Ghorchian for the documentary “Shadow of Sultan” – Behrouz Nouranipour for “Three Documentary” “Lover”
The Statue of the Best Sound was awarded to Amir Aqa Abdollahi and Hassan Mahdavi for the documentary “Kashim Load” and Shahin Pardadashi and Ensieh Maleki for the documentary “Rakh”.
Best Editing Candidates: Bahman Kiarostami for Documentary “Ampas” – Golchin Arefi for Documentary “Mirror Fever” – Hassan Painting for “Persian Primary School” – Ali Farahani Sadr for “Strong Dell” and Arash Zahedi Documentary for “Kashim Load” documentary
The Statue of the Stone Milk Best Editing Based on the Votes of the Academy of Documentary Cinema, Bahman Kiarostami was awarded for the film “Ampus”.
Candidates for Best Imaging: Reza Teimouri for Documentary “Rakh” – Mehdi Azadi for the documentary “Iran Khanum” – Hadi Zohreh Kashani for the documentary “Strong Dell” – Amin Agha Abdollahi for the documentary “Kashim Load” – Elham Asadi, Hashem Moradi and Morteza Najafi for the documentary
The Statue of stone milk was given the best imaging based on the votes of the Documentary Academy of Cinema to Mehdi Azadi for the documentary “Iran Khanum’s husband”.
Best Research Candidates: Hassan Painting for Documentary “Parsi Primary School” – Hanif Shahprad for Documentary “City” – Ehsan Emadi and Zohreh Torabi for the documentary “Arash Khalilio Ali Rostamabadi for” Strong Dell “and Mahvash Sheikholeslami and Jamshid Sadegh.
The Statue of the Best Research Based on the Votes of the Academy of Documentary Cinema was jointly awarded to Mahvash Sheikh al -Islami and Jamshid Sadegh for “Monsieur Markov” and Hassan Painting for the “Persian Primary School” documentary.
Candidates for Best Documentary Director: Mehdi Zamanpour Kaisari for the documentary “Wind Wind Bread” – Mehdi Bagheri for “Flying Over Sun Land” – Hadi Shariati for the documentary “Shadow Sultan” – Marjan Khosravi for the documentary “Iran Khanum’s husband” – Amir Agha Abdollahi for documentary “Kashim”
The Statue of Stone Tale Best Documentary Director was awarded to Amir Agha Abdollahi for “Kashim Lover” based on the votes of the Documentary Academy of Cinema.
Candidates for Best Short Documentary Producer: Mehdi Bagheri for the documentary “Flying Over the Sun” – Hadi Shariati, Hossein Fathollahi and Hamed Taleshlar for the documentary “Shadow of Sultan” – Milad Khosravi for the documentary “Iran Khan Khanum” – Behrouz Nourani Pour for “Cold Bread”
The statue of stone valve was the best short documentary producer based on the votes of the Documentary Academy of Cinema to Sam Kalantari for Documentary Documentary.
Candidates for Best Documentary Director: Tawfiq Heidari for the documentary “Torgi” – Hassan Painting for “Parsi Primary School” – Negin Ahmadi for the documentary “Dream Gate” – Behrouz Nouranipour Barry Documentary “Three Staters” – Mohammad Sadegh Ismaili Documentary
The Statue of Stone Tale Best Documentary Director was awarded Hassan Painting for the Documentary “Persian Primary School” based on the votes of the Documentary Academy of Cinema.
Candidates for Best Documentary Producer: Hassan Painting for Documentary “Parsi Primary School” – Behrouz Nouranipour for “Three Hazrat” – Mohammad Sadegh Ismaili for Documentary “Gizllo” – Mohammad Card for “Elevator” and “Tourg” documentaries
The statue of stone valve was the best semi -long documentary producer based on the votes of the Documentary Academy of Cinema to Behrouz Nouranipour for the documentary “Three Hazan”.
Best Documentary Candidates: Maryam Elhamian and Mustafa Hajiqasimi for the documentary “Khalaj Family”- Hanif Shahprad for “City”- Fathullah Amiri and Nima Asgari for the documentary “Territory”- Ali Farahani Sadr for the documentary “Strong”- Mahvash Sheikh al-Islami
The Statue of the Best Documentary Lion Tale was awarded to Ali Farahani Sadr based on the opinion of the Iranian Documentary Cinema Academy for the documentary “Strong”.
Candidates for Best Documentary Producer: Maryam Elhamian for the documentary “Khalaj Family” – Fathullah Amiri for the documentary “Territory” – Arash Sadeghi and Sam Kalantari for the documentary “Rakh” – Hussam Islam for the documentary “Escape of the Palace” and Saeed Elahi for “Strong” documentary
Maryam Elhamian was awarded the best documentary producer based on the views of the Documentary Cinema Academy for the documentary “The Family of Gulf”.