Cinema Six hundred and eighteenth programs of the Cinematheque of Iranian Artists’ House [اولین برنامه سینماسلامت] Monday, May 9, was dedicated to the film “Star Husband” by Ibrahim Irajzad (1). Following the screening of the film, the critique meeting was dedicated to the presence of Ibrahim Irajzad, Ali Oji (producer), Fariba Naderi (actor) and Reza Hastikar (cinema critic and meeting director).
“I thank the Iranian Artists’ House and Ali Oji and his colleagues in the film” Star Husband “who was honored to show this quality film, which is good in the first program” Cinema of Health “, Reza Hopefully in the future we will be able to do this work well. “Star Husband” is the third film by Ibrahim Irajzad. By making these three films, he proved that he was a good filmmaker. For example, directing in the individual plans and facades of this film is evident. Accordingly, this film is very respectful and honorable to me. Because building the space, the environment, and the characters we see in this film is a very difficult task.
In response to the question of what has led to Iranian, Iranian issues, Irajzad said: “One can once be called a filmmaker who has made at least three films, in which three films narrate a teacher about his or her view.” I started my career with the same look and obsession and made my first film in Year 2. In fact, I have taken my steps along the way for the year to be able to get into the wheel of those who can be called a filmmaker, because the director is a little ironic to the operator; I do not mean a negative meaning, but it means someone who can work any script in every look and context, but the filmmaker is the one who pursues a concern and is essentially a birth certificate. If the director does not take care of his first five films, the person who is concerned may no longer be able to own a record.
“The next issue is that I was basically a diploma and a bachelor’s degree in cinema from the Youth Cinema Association and have completely completed the hierarchy,” he said. Never made money to tempt me; For example, comedies were suggested that they paid good wages, but I was able to say no. At that point in time, there was a lot of economic issues. Now that I am here, I’m glad I did this resistance and I hope I can continue my career with this hardship. Because cinema is one of the opportunities that helps us enhance our literacy, knowledge and insight into our lives and urban civilization. We Iranian people, if we come back for 5 years and come back for another 5 years, the ratio of urban to rural life is not a very old experience for us, we still do not know how to associate with each other; I didn’t mean to be, and the same is historically. Maybe we need to talk more about women’s place in cinema. We do not have enough awareness of the issues in society, especially for women. It is good to be able to do something that will lead to a more peaceful life than each other in a story that entertains and loves the audience. In my films, I have tried to better show the status of women, as if they are not aware of their rights.
“Our great critic, Mr. Houshang Kavousi, said that the director is like a car that rotates the job. The difference between the director and the filmmaker is where the thinking is added to the story. There is there that the filmmaker is born and becomes the author; The one who follows a big line with his work in our country. In fact, the rotating work in different areas is very prosperous, not just in filmmaking. But a director who can convey a thought to society, like the film that respects the woman, is very important. In all the structure of this film and in all plans, the presence of a woman is clearly seen, and this shows different suffering at different ages. This is not a matter of course.
“In this story, the hardships are not eliminated, but we must face them,” he continued. The only movie I can claim and say that the woman has a central role is the film “Star Husband”. This film has highly controlled the subject of women in Iranian society. The main actress of this drama is a woman and this is very important.
“For the first time in my life, I see Ms. Fariba Naderi in a controlled role,” said the righteous. So if I go back a hundred again, I say that the female acting prize in Fajr this year is the right of Ms. Naderi.
Fariba Naderi said: “After the Fajr festival, with Mr. Handkar’s talk, I really feel that my shoulder has been removed. From the day I read the text and talked to Mr. Irajzad about it, I thought the star was a militant but peaceful woman. He fought for his life in the limited city of the city in which he lived before immigration to Tehran. Of course, she is, in contrast, a peaceful woman. Most women in our land are peaceful. They may express their desires in language, but there is a peace and interest in achieving peace in most women. It was very hard for me to get close to the star. During the story, every man who saw him was bad. Even the sanatorium manager put pressure on him. It is hard to be a woman where no one wants to be a woman. There may be only gender discussion for some. But living and preserving femininity is very difficult; You have to live like a man, but at the same time be a woman and get your right.
He continued: In a society where no right is given to the star, he is facing ugliness, diseases and widows. All that can take away a woman’s security is on the shoulders of the star. She has nothing, and everything is in the process of banging this woman and using her tool.
Ali Oji said at the meeting: “When I encountered the scenario” Star Husband “, I only saw the” Spider “from my beloved Ibrahim Irajzad and was influenced by the extraordinary space created by the scenario. I felt if this film was made, it would have a great impact. Mr. Irajzad is a very literate director, and in the same two hours of conversation we had a good understanding of society. This reflects his ability and encouraged me to hold a meeting. I feel like the movie we wanted to make, depicting reality. This is a common pain that some friends have; That is, keeping a thing and then forgetting it. But it was not that; He had really communicated deeply on the subjects. The point is, the world that Mr. Ibrahim Irajzad defined for me from the “star husband” and that worldview and sociology left me no doubt to work with this film with pride and love. I learned from him.