cinema trust Last week, during a meeting titled “Cinema Facing the Future”, the well-known cinema director Abolhasan Davoudi criticized the performance of the platforms. here you can read
now Saeed Rajabi Froutan, one of the former directors of cinema and home theater, mentioned some points about the recent talks of this cinematographer, which you can read below:
– Our governance and bureaucracy has created a habit and behavior in people that wherever a governmental institution gives permission, they immediately line up in front of it to get benefits and privileges. benefit from it. The least profitable for its licensees is to rent out its concessions. Like when we had rental magazines.
A look at the number of news agencies and news bases, non-governmental academic centers, economic newspapers, platforms with similar functions, and finally streaming services, or online video display platforms, clearly shows that there is a great appetite for licensing.
– In recent years, the governing bodies and their holdings and subsidiaries, banks and military organizations have tried not to fall behind this caravan and to produce content by investing in the production of films and serials, as well as by launching independent platforms on par with the private sector.
For such organizations, the return of capital and profit is not a priority, and according to their managers, they will not go far for cultural work and the promotion and explanation of religious and revolutionary teachings, no matter how much is spent.
– Increasing the wages of agents, especially famous actors, is one of the consequences of the wasteful and reckless spending of such an approach on the part of the governing bodies and banks. Maybe that’s why some series in development are constantly moving between platforms, and it’s getting harder and harder for private platforms to meet their financial expectations. After all, these projects will be placed in the arms of the platforms affiliated with the governing bodies and break the record of the production cost of the series without any worries!
– The complication and lack of capital due to the increase in expenses has made new private platforms unable to show themselves in recent years and take the market out of the small monopoly of existing active platforms.
– It is interesting that in such circumstances, the issuance of new licenses by Satra has continued and this authority has not been able to use a mechanism to ensure the financial ability of the applicants and the economic feasibility of their justification plans.
– Just as in the cinema, despite the history of the cinema house and trade unions, no system has been established to determine the salary of artistic agents. Unions of inclusive audio and video media have not done anything in this field either.
– In professional relations, signing a multi-year contract with an actor is not reprehensible in itself, and if the long-term investment institution has developed a specific plan to use the abilities of the actor in question, others should go to other talents and discover them.