Cinema Etemad, IRNA, wrote: “Pirper” is one of the best works of Iranian cinema in the last few years; A leader and definitely higher than the drama standards of these years of Iran. There is a breathtaking and lush narrative that can keep its audience curious for 5 minutes. It has a magic tempo that constantly redirects from Real to Romans and alarm, and interestingly, it comes out successful in all of these readings. In a cinema that fluctuates many of its production in rhythm and rhythm and sees obvious bugs, it is very important for a film to keep itself at its peak for more than 4 hours and not drop for moments.
“Pirport” is a leading film above the drama standards of these years of Iranian cinema that has a breathtaking narrative. It has a magic tempo that constantly redirects from Real to Romans and
This time is also important for the workmanship of work and shows that Brazen Octa How by changing intermittent spaces, it has come to understand the right environment for creating an applied engineering in the field.
“Pierre Boy” definitely unveiled one of the best in the history of Iranian cinema. Hassan Pourshirazi With a multilayer game, he depicted a hierarchy of love, cravings, bullying, anger, hatred, and revenge, which had never been seen in any Iranian cinema. A subconscious game that will definitely remain in the historical memory of the cinema of this land.
An important question that comes to mind is why this film has been in confiscation for more than five years? A movie that has high world standards in theme and implementation, why should it be so unnecessary for cinema executives? A film that, if it was unveiled at the festival that year, could certainly change the director’s cinematic future and some of the key factors of the project and make them much more important.
“Pierre Boy” definitely unveiled one of the best in the history of Iranian cinema
Certainly the amount of violence depicted in the final season of the film has not been experienced in Iranian cinema so far, but should it lead to a long -term seizure of this film? Or even if the debate gets higher and audit from a daughter’s love competition on a girl, can this prevent one of the best works of Iranian cinema in the last few years?
Now, with the change of people’s lifestyle and, of course, the availability of international products, the task of displaying works of “Pierre” is quite clear. World cinema also has ways to show these works, with Iranian cinema, along with those solutions, to cross categories such as “confiscation” and provide the public screening of these films.
And lastly, Iranian cinema is always owed to Hassan Pourshirazi and Brahmani Octa.