Trust cinema The movie “Moft Bar” is the title of Adel Tabrizi’s latest movie, which has a romantic and comedy theme. Since the release of the movie Moft Ber, there have been criticisms about its content, which you can read below.
Quoting the best, Mohsen Sharafuddin, the writer, wrote on the Instagram page of Bawan Cinema: Muftbar movie means when vulgarity wears stylish clothes. Muftbar movie means the state of Iranian cinema is pathetic. Muftbar film means the first-rate cinematographers, who just a few months ago we expected to create cultural trends, become such toys and parliamentarians, known people behind the scenes of the cinema. It means self-selling of pens and abusing the credibility and respect that the audience has given us. Muftbar means fall, it means the end of an era and the permission of credible people to enter the field of forgery and vulgarity. We still cannot believe that what happened on the screen as a movie with the presence of actors like Hamed Behdad and Sahar Dolatshahi is real.
Right from this very day, we were afraid that vulgarity and profiteering in the last two years’ screenings would affect our elite and first-class cinematographers and drag them into the vortex of cultural and social collapse. If you just want to put a stone on the grave of Iranian cinema, buy a free ticket and go to the cinema! Moft Berry is exactly what this contentless film and its producers aimed for, and it is indeed our social duty to prevent the complete collapse of our country’s cinema, which once had something to say in world circles, by not welcoming such works.
Bita Jahani Rad, the writer, wrote in response to the movie Muftbar: Moftbar film by Adel Tabrizi has no story, is pointless and extremely weak, and there is no trace of comedy in it. The film is only filmed and directed with Hamed Behdad’s dancing and singing scenes, which has been filmed and directed in the most tasteless way possible, with the claim of masculinity that violates even moral values, which is all an imitation of the Persian film and is even far behind the same film. Farsi is the past tense. The filmmakers are trying to show themselves by referring to a few social problems, without paying proper attention and for fear of entering the truth, but in practice they behave like them and by making a film that has no trace of cinema, even popular cinema in it. It is not seen, only with the presence of movie stars such as Hamed Behdad and Sahar Dolatshahi, they abuse the audience and guarantee billion sales in the cinema for themselves.
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