Cinema Mohsen Azoudeh wrote in the newspaper Etemad: In the past, the word “art” in Persian was not merely the meaning of “beautiful art” and the artist did not just tell anyone to be an actor or a musician or painter or … art had a wider and more meaningful meaning than today. It included a skill, ability, and talent in Adam, and the artist was talented and capable who could handle specific work and pull his carpet out of the water in difficulties and hardships. The term is still common among the people and on the street, for example, the wrench is called the artist or the manufacturer or, as the scholars say, “Homo Faber”.
Nusrat Karimi (1398-1303), an Iranian great and great artist, not only in the special and professional sense of the word but also a “real artist”, not just cinema and theater director, writer, Grimmor, sculptor Duplicity and dolls and dolls were first and more skilled, but a manufacturer or a homophobar in its precise sense.
This is well portrayed by three good Iranian documentaries, his son Babak Karimi, Mehrdad Oskoui and Ruhollah Ansari in the spectacular documentary “Nusrat Karimi: Being an artist in Iran”. This documentary, which has been talked about in the cultural and artistic circles, has just been published in cyberspace, and in its six parts we will be introduced to the various aspects and different aspects of Nusrat Karimi’s valuable and long life.
The volume and degree of documentation and information of this documentary is surprising from Nusrat Karimi’s life. It is as if he knew who was going to become and never thrown away.
Master’s life is essentially a misguided master. In this documentary, we see the real and without retouching of a human being, according to Iraj Medjeszad, an Iranian father or, in the words of an Iranian man. A person who has not had little up and down during his lifetime and has not suffered from hardship, but has been able to overcome all the problems and calamities with that inner capability and talent, with work and work.
I want to say that the creators of this work have chosen the accurate title for their documentary, Nusrat Karimi is inherently an artist, and by the way, in my opinion, despite all that I have written so far, his most important art is his blessed and blessed life in Iran. A land that many people believe in the lives of Master Ehsan Yarshawar have been the most important characteristic and characteristic of this survival and continuity, despite a very high -end history. Karimi’s original and original art is also revealed in this cultural geography. He survived a century in Iran, despite all the disadvantages and disadvantages in Iran, whether it was an artistic and productive life. Remember it. Hope.