Cinema Trust, Tina Jalali wrote in the newspaper Etemad: In the post -revolutionary Iranian cinema, whenever the space for breathing, growth and growth of social and critical film was more likely to be provided with the support and support of the reformist political movement, the faction whose activists have always proven. The filmmakers respect the thinking and concern of the filmmakers, such as the years after the 76th, when filmmakers were working with more freedom of action and more courage, or the fourteenth government who, since coming to film on the subject of critical issues and problems, was the opportunity to screen and pay more. And the filmmakers are going to continue their social concerns more freely.
An important point we see these days at the Fajr Festival, which is still being done with the support of Mr. Medical Government and the Minister of Culture (whether in the form of detained films such as “Killer and Wild” or non -detailed), which is a context for social films. It is more available, and interestingly, the audience is cleverly welcomed. The fact that people’s votes at the Fajr Film Festival (despite the presence of comedy films) tended to social cinema and social films at the top of the Fajr festival’s box office is the most important sign that people themselves want good social films.
That many filmmakers and media outlets complain about the absence of films in the competition and have the right to do so, but with all the hardships and pressures that cinema executives endure during the festival, the opportunity to release. And there is a reflection of such films provided at the festival.
In the previous government they wanted, Stop building ‘abandoned’
One of the social films that is welcomed at the Fajr Festival these days is the top of the popular votes “Raha” directed by Hesam Farahmand and produced by Saeed Khani.
We talked to social films with Khani about the festival’s audience. He says that in 15 popular votes, comedy is a sign that people are tired of the screening of comedy, unfortunately, in the past three years, the filmmakers have deliberately sidelined serious cinema, thinkers and thinkers who had something to say. And by hardening from the same point of construction licenses, the root of social cinema and isolation, I presented two script with a social subject to the Licensing Council that refused to build, even wanted to stop making the film “Raha” but Mr. Sohrabi’s collaboration with the film came to the production stage.
The cinema producer explains: In recent years, all Iranian cinema has been included in comedy films and there was no opportunity for social cinema, we had no genre diversity at all, while melodrama or other species are part of the cinema to which people are. They are interested.
“Fortunately, the” release “films released at this year’s festival are a testament to that people like good social films,” he said. I am very happy to welcome the audience of social films, the re -peak of social cinema at the Fajr Festival, and I am very optimistic about the background of social cinema next year. The variety of genre in cinema is revived, thought that Iranian cinema will return to the fever of cultural films, and the action film, child and whatever audience wants to be made for Iranian cinema. It is a blessing that we should appreciate. We make films for the people, and now it is the people who have shown that they want social cinema.
I am eager to see Mr. Medical
The producer and director of the cinema goes on to speak of the proper management of the cinema house in the public counting, saying: “When institutions and organs and even the cinema organization do not collaborate with filmmakers to make a critical social filmmaker, I wish they would know that making comedy film for the comedy film We are much easier and 80 percent of investors are ready for comedy and rapidly financed comedy. But we, filmmakers, accept the suffering of social film making because we have the concern of cultural work and the thinking of the thoughtful social cinema is important to us, and we also accept the risk of returning capital. We find it difficult to invest in the film, because we think the film is effective and has a cultural value for cinema and audience. Our only wishes for the authorities to understand this kind of cinema and give filmmakers the opportunity to pay social cinema.
Khani explains how to make the movie “Raha”: As you know, I usually have both comedy and social in my program to make, but this time I preferred to make a movie on the subject of society. In my opinion, one of the most important issues these days in our country is the economic situation of our people, “Raha” is a bitter film but not black, it narrates the social problem, I want to see this film and cabinet, I am very eager to see Mr. Medical. Watch this movie and know their comment about this film, this film is about the economic situation of people in the last one, two years; Honorable people who live under economic pressure but do not lose their dignity and maintain their reputation, we tried to show the problems of the lower cortex in the last few years and have never wanted to blackmail, what we say is reality and that we are saying reality. There has been many seen in Iranian families in recent years to see the authorities of the country and to reach people, abandoned the reality of today’s Iranian society, today Iran, which is hard for most Iranian families, for fathers who are every night that every night. They come home asking God not to be ashamed of their wife and children.
I hope the referees at the festival Consider justice
In another part of his talk, the cinema producer says: I hope this year’s festival admires and encourages the filmmakers of justice and that the importance of the private sector and the films will be considered, how many organic films made with large budgets for the festival. Care the quality of the film and understand the youth and care about talents and not frustrate the youth. Khani continues about the presence of Shahab Hosseini and his difference in the film and the chance to get Simorgh: Unfortunately, I didn’t have the opportunity and I didn’t see the films of colleagues, but I think Shahab had one of his best games in the movie “Raha”, so let me say “Raha” without a meteor. Hosseini was never made. Shahab tried to the film, because he was a father, understood the hardships of the role and tried to present the character of Tawhid in the film in the best way.
He says: During all these nights when I watched this movie in the hall, most of them were with the film until the final moments, and in the inflamed and breathtaking moments, they would not be cited. Hopefully at this year’s festival, we will see the efforts of this film.