Preacher Hadda: Hassan Painting “Parsi Primary School” one of the most popular Documentary Hashor was in year 2. This documentary earlier at the festival “Honest Cinema” He was admired and admired. The film Hassan Painting, from most documentary works these years, has an independent identity and its main theme is far beyond the time of our work. Fight against ignorance and dismantle the light of knowledge. In this conversation, Hassan Painting says about trying to make this documentary.
Persian Primary School, the second most popular documentary of the year, was in Hashor. I tend to start the discussion here. This is a special event for a movie that has no hot social subject, not the taste of the audience that loves the documentary. It is a serious work in documentary cinema, and its vision is a source of hope. Which way do you think the film helped to see it.
Narratives in the necessary documentary cinema and documentary art manifest the narrative. The audience of the documentary is not a general audience, the viewer of the documentary is consciously looking for challenges, he likes fuzzy logic and welcomes sudden and rational changes.
In the report documentary, the role of the director as an object or the creator of the work is less than the subject, perhaps because of the restriction of the report of the repetitive form, this cannot be considered a shortcoming, the importance of an event that is recorded in front of the camera, and this record may not be replicated, and the subject is more realistic. Although the importance of report documentaries is important, we should know that every documentary work is a report to the audience, the avant -garde or poetic documentaries, with loyal to the principle of the report or the actual event, highlight the role of the director as the reality of his narrator, in essence, we see the reality of the director, this is a new way, this is a new way, this is a new way, this is a new way, this is a new way. Watching that poetic and avant -garde film is excited, while the report was made after the leprosy, the difference in the concepts of the suffering of life and beauty and color is evident.
In the movie Laughter Children is beautiful, a leprosy is beautiful, the world is beautiful, while we know, behind these laughs, the bitter sadness we influence, here the role of the director is highlighted, as a reality interpreter sitting between the subject and the audience.
I believe that history and culture are important to the audience, assessing the honesty and believability of the work. In my works, I departed from the report narratives and gave the documents the opportunity to expose themselves to the audience. This narrative experience of objects is both an attractive to me and the search audience.
Research in most of your work is serious and hard. How much time did the Persian Primary School spend? How much of the documents are available for that course?
The research of “Persian Primary School” took six years, first provided written sources, the references to the Indian Persian letters were the most important part of the work, then I found the writings that unfortunately most of the pages were lost, in this reading, I was the next step in the conversation with the elderly. became.
Then I began collecting image documents, published in the local newspaper, published a photo sharing, many of the Zoroastrian or Persian immigrant families gave me photos, the backwriting of the photos was helpful in identifying the characters of the image, at the end I sought the remnants of Persian primary schools, in the city of Yazd, in the city of Yazd. For example, in a building that can be considered as one of the first Persian schools, we found the burnt offices and writing of Qajar writing, indicating the sudden onslaught of the home school. After finding these documents, I decided to write the research in the form of a documentary script and production began.
“Persian Primary School” is against ignorance and superstition, rather than even about the history of schools and the first layer of the film. Agree?
I agree that some kind of ignorance and the removal of these superstitions have been the ultimate goal, from the main character of the film (Master Khodabakhsh), a number of books have been published, most of which are in the superstitious condemnation, he was a true critic of false traditions and demanded a fundamental change in people’s lifestyle. In these books, he strives to promote the way of life and respect for Iranian culture and patriotism, he realizes that the way of transformation of Iran is the only way to establish schools and literacy, the Constitutional Revolution was the first effective step in public literacy, but in this way.
You wrote the text of the text, your prose is refined and close to the narrative period. What kind of text and speech did you consider? Didn’t you want to have a simpler and more modern language?
In the style of Qajar’s writing, the writing of the writing is observed, especially after the constitution that the poets and writers engage in the press, some kind of poetry and literature that are unique in its kind, all the existing versions of the two constitutional al -Qa’id al -Mutin al -Mutin and the Sura al -Mutin.
Needless to say, the reading of more than five hundred personal handwriting and handwriting was a great help, the style of writing the Persian Mirza was very innovative, the poem was briefly conceptual, sometimes intertwined with understandable sarcas or indirect references, for example when the narrator wants to Mumbai in a letter to Mumbai. Saba, you remember, smells of blood of our loved ones …
These letters had a great impact on me, and in addition to preserving language, I tried to do more sarcasses, irony and references.
You did the most important work of the film, why didn’t you use the collaboration of others. Interestingly, you have been nominated for all of these sections in the independent celebration of documentary cinema.
In the film, three photographers were used, each of which was because of the talent they had, in the recording stage, reproduction of events, or in the recording of macro lens sequences, I also believe that this is an important phase of directing, and the narrative should be consistent with research information, and research information. Do the editing.
Your film was screened at the Film Festival and had many lovers, and you have a nomination in the independent celebration of documentary cinema. This is encouraging. How important is the festivals?
The documentary film is a living creature, has life, it gives time to maturity, every time it is seen, after nearly fifty years, the Qatari al -Kimiyawi hills suddenly come from the archive, and in the controversy of irregular construction in the Qatariyah Park, it is well -known.
The film has a personality in its audience, every audience accepts something, and this cycle is always, a specialized festival, records the quality and function of the work at a specific time, it is a positive thing that motivates the filmmaker, but not expert in view.
From this point of view, I like the festival, sometimes to critics that the desire to build monuments over other species is not easy to build a historical documentary, it is a difficult and sacrificial process, it requires full support, it goes with patience and reflection, and because of its historical monuments) He takes like a mirror equal to the community and says to Rasa: Learn.
Although we are confronted with a lot of seemingly historical films that are not important to make or not, because they are devoid of challenge, museum history, postcard, my history, and deviant narrative can have an inappropriate impact on the film world and the audience’s judgment, evaluating the right and misunderstanding.
Who do you think is the “Persian Primary School” audience? I think it is obligatory for us to watch this film because ignorance and superstition are still in place, and the education system is damaged and sick.
When I made the film, I thought of the limited audience, but welcomed to the extent that I was surprised, especially among the younger generation and the student, I read interesting analysis, the documentary is a culture of culture, it transforms the life of a nation, today it is better than the status of the Persian schools, or the restoration, It was not a goddess, and it did not expose it or exposed itself from within these manuscripts, the production of the “Persian Primary School” was not important, the discovery and exploitation of the unknowns is a mission that weighs on the shoulders at this time, I believe that documentary production policies should consider it. Unstable, impossible, challenging, and ordinary narratives diminish the importance and importance of documentary and documentary. In a word: The documentary has tragic knowledge, and this painful knowledge leads him to narrate the bitter and sweet truths of a nation.
What is your new movie about? At what stage is it?
My new film “Yazd Eli Yazd” is in the process of editing, the unknown narrative of the uprising of Yazd Lotti, which took place in the late reign of Mohammad Alishah, Mohammed Ali Golkar, the anti -constitutional Lot, uses the state of the country, and forms an independent government, sits on the throne, sits on the throne. Rajaz reads, it has a king’s air, but all of this is lost overnight and finds it because Mir Norouzi was no more play, he stays and his forty -day cruelty memories of the people of Yazd are still referring to assemblies.
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