Cinema Hadi Etemadi Majd in the Etemad newspaper wrote: The woman of Ashub and Fam Fattal or the most miserable lady who can be a cinematic drama can all be manifested in Leila Hatami. Leila Hatami knows how to shine in every role, both introverted or extroverted, and to distance her respectable interior.
When he stares like the disbelief of Iblis on the other side who does not respect the dignity and profanns him, and when he cries in his quiet delegation, his personality is always preserved and respected behind this mask. He has both “emotional capability” and “skill and acting technique”. The two characteristics that Arthur Penn had once used to describe the “good actor”. An artist who also consistently consistents the definition of Hitchcock from the Super Star in the possibility of “acquiring the audience’s affection based on his identity”.
Part of them is undoubtedly rooted in conscious choices and Hatami’s deep understanding of the heterogeneous routine of Iranian cinema.
Let’s briefly review. After Kamal al -Molk and the transient childhood experience, at the age of 1970, at the age of 19, and his first serious role in “The Delivered”, who saw a young singer (the late Amin Tarek) in the wake of a blind prince. What five years later, and Leila, a film that, as he puts it, began his career as an actor and after his father’s death, who loved his films. He slowly reached relative maturity in the passage of projects that, though good, may not have been so involved in their coming.
After that, with Sheida, a young and young nurse who resonates the Qur’anic readings, the enthusiasm of life and love in the wounded warrior, experiences a different atmosphere from his father’s cinema and Dariush Mehrjui. At a time when romantic melodrama was on the stock exchange.
In the early 1980s, with the relative openness of social and political space, we see her as a southern and war -torn woman named Narges in the critical film “Post Height”. A woman who loves her husband who has hired her husband, defends and defends security for security officials.
Which Iranian elephant’s chest is to forget “Glory” in “Bi Pulse”; With all the concerns, expressing their attractive interests and glow and worry and occasional concern to his wife Iraj (Bahram Radan). The remarkable role that made the jury of the Fajr 27 jury not to give it no other way than to donate the Crystal Simorgh to Leila Hatami!
Who is not at all that is in your world and “What time is in your world?” Watch and do not touch his head to the sea and fall in love again! A film that Leila Hatami and Ali Mosfa became a cinematic partner several times to make one of the most heartfelt romance on the silver screen. A movie that can be fascinated by every single moment of his moments and still tried to watch. It is as if the introverted dimension of the personality, with a transient and love perhaps, perhaps lost color.
“Sleeping vein”; Leila Hatami still shines a decade after Simorgh’s “Monetary”, and his art Talawi will double with the second Crystal Simorgh from Fajr and the 19th Iranian Cinema Celebration. “Finally happened … that is the unknown feeling that is only identifiable at the moment of happening …. And of course, for the audience, we have no choice but to fall in love! Hatami fights for the role in the film and shows the face of a woman standing in a love, rushing and amazing crossing.
… Or how his distinct presence is present in works such as “Season Salad”, “Water and Water”, “Judgment”, “I” and … which disrupts the same allegation of the same overall acting combination and gives his games a spicy and sometimes gangster nature. An image that is not the same as the familiar and familiar to the other roles, adapting him to the criteria and parameters of the best actors in the world, including multidimensional and escaping. Indeed, the symbols and aspects of acting are tangible and obvious in the quality of his acting.
The colorful diversity and variety of acting career Leila Hatami is essentially one of the characteristics of her acting career. Love, modesty, and humility derived from his own personality, in all his roles, are somehow and with thoughtful and thoughtful dose: “I accept the personality. I don’t resist. I get along with the scene and try to not forget my feeling while focusing and not being careful. That’s it! “
He also had valuable experience in the field of religious cinema. “Saba” in “Head to Mehr” with his religious concerns and sweet meditation to pray or before in “Every Night of Loneliness” and confronts death and pilgrimage.
Playing the role of “Maryam Magdaley” in the historical drama of Trance Malik is definitely a serious challenge in Hatami’s acting career that has not yet been released. Cinemas are still eager to screen the two films “Old Boy” and “Killer and Wild” from Hatami, which, according to evidence, has shown different sides of the game.
As much as the mystic cinema of Ali Hatami, with his romantic and poetic profiles and manifestations, has remained unique over the years, his acting style can be considered unique in comparison to many of his counterparts.
The current charismatic in the game and the personal character of Leila Hatami in combining a feminine veil, Eastern care, respected social and literary considerations, has made a different image of the actor in front of the camera after four decades: “I do not follow any news and see a photo. So when the kids came to film the festival and said the names of the films and directors, I came up with a new wave of good filmmakers, and I said to myself, Dad, I had my head here in the jar and I was playing for the jar! “
He’s not a copy of anyone. Introduction to the glamor of fame: “Personally, I will never do anyone.”
His refusal to enter the unquestionable and low -value areas and observing specific social principles has made Leila Hatami an example that is merely specific to her. This behavior may be seen in its unwillingness for unnecessary effects or usual time in cyberspace. There are no celebrities and the conventional treatments. A character who has tried to nurture and maintain its important dimensions and bought some excuses to continue to protect himself and his career.
Even if it does not find a project in accordance with its criteria, she will apologize and respectfully. The actions that, in fact, introduces him to his father’s worthy father Ali Hatami and his esteemed cinema. The form of his presence and coverage during the holding of prestigious world festivals has repeatedly admired domestic and foreign media. It looks good while it looks noble and timid. The fact that his prestige, as an Iranian artist and genuine lady, adorned the frame of the images, while at the same time, the global global culture and culture.
However, his unobtrusive policy has been identified earlier in recent years with the appearance of the jury of the French Vazul Festival or reputable festivals such as Ken, Karlovia, Rome, and so on. However, it is said that the presence of the film he has played at a World Festival would judge that festival.
Her presence gives every movie and serial dignity. He has found out how to take care of his favorite acting and personality components. Do not step in irrelevant and inappropriate values and know his dignity.
The privileges that reinforce his particular charisma and make him a great art index and a great social position.