Cinema Reza Estadi wrote in the Etemad newspaper: “After completing a documentary called” Iranian Benz “and screening at the Haghighat Cinema Festival, I went to the Cinema Organization for public screening on online and cinema festivals, but so far I have not found a clear response about the fate of the film.
They say the film has a problem, and every time a young woman who is the secretary of the uncertain council sessions, their names have not yet been announced; From the paper that is trying to see the signatures of it; It declares and eventually refers to me to a bylaw that has been adopted in the year 6, which is forbidden to deny or weaken the principle of monotheism and other principles of Islam or insult them in any way and way in the films. Their ridicule is forbidden.
Encouraging or educating harmful and dangerous addicts and ways to make money is forbidden by illegitimate ways such as trafficking, etc., and a few other banners that are not commensurate with a documentary and concerned film made about the history of car production in Iran. The film, directed by Siavash Sarmadi, the filmmaker of the film Mansour, and has overseen dozens of consultants and experts from the Cinema Organization during its construction and allowed it to be screened at the Haghighat Cinema Festival as the most important documentary cinema event, and the play has not reacted and encouraged.
If you go to the cinemas and the home theater network right now; You can find many examples for it, but apparently an unknown and hidden council has decided to make any film that did not like in a bold interpretation with a favorable interpretation without the permission of the right to defend; Keep uncertain for a long time and seize the material and spiritual capital of its creators for a long time. It continues to do the same. In the year 9, a documentary film is confiscated while other Iranian cinema seizures, from snowman to lizards, have the most repetitions on television itself, but cultural managers continue to endanger the artists’ personal and human capital rights, and in the councils. They decide on the fate of the filmmakers.
Writer and director “Iranian Benz”