Cinema Trust The Questionful Meeting of the film “Beautiful Voice” with the performance of Rasool Sadr al -Sadr (director), Seyyed Maziar Hashemi (producer), Arash Sadegh Beigi, Milad Sadr Ali and Mohammad Reza Sadr Ali (writer), Juliet Reza and Mehran Ghafouri Rezaei (composer) was held.
At the beginning of the meeting, Rasool Sadr Ali said: Five years ago, at the Center for Intellectual Development of Children and Adolescents, Mohammad Reza Karimi Saremi gave me the book “Beautiful” Fereydoon Hassanzadeh, which was published in the center. When I read the book, I felt that something could be done and updated with the author’s permission, we were involved in it for about a few years. Initially, Cambodia began the work that we unfortunately lost. Then Asghar Abdullahi began the job and failed to conclude until eventually writing BC and Mohammad Reza and Arash script, and the team worked for more than a year. After that, Hamed Amazi came as the CEO of the Association and trusted us and supported us all to build this work.
“Butterfly Swimming” was my acquaintance with Maziar Hashemi and came to my mind. The collective will of the Intellectual Development Center, Maziar Hashemi and the Farabi Cinema Foundation made this film made, and it was important for me to revive the position of the center and to open the cinema.
Sayyed Maziar Hashemi also stated: My acquaintance with Mr. Sadr al -Sadali goes back to the time when we worked on the “kid” and our cooperation goes back to the “butterfly swimming”. After that the project, I was given the book “Beautiful” and the work began.
Arash Sadegh Beigi, one of the authors of the work, explained: “We needed to see a new and modern teenager in the film, and Mr. Hassanzadeh, the author of the book, allowed us to go with the story easily and to interfere.”
Milad Sadr Ali also said: The main difference was that we had to bring a mother into the story. The separated people who are all thrown on the side of the city and come together again. It was a very difficult task that would lose its influence story if it had not been.
Mohammad Reza Sadr Ali said: “It is true that Khosrow seems to come out of the sanatorium, but Khosrow is the right story and society does not treat him well.”
Rasool Sadr Ali said about introducing another teenage actor to the cinema: I had no intention to add another “song” to the cinema. I am so glad that after a long time I got to the actor who is very wise and intelligent. Juliet is Christopher Reza’s daughter, and after 5, I tested and found the beautiful story.
“Thank you for allowing me to have such an experience,” said Juliet Rezai. When I got into the project, I was very grateful for being able to get into such a project.
The film said: “This film was one of the toughest projects for me and Maziar Hashemi. It was about seventy percent of foreign films. I also had an experience that helped me a lot.
The film’s composer Christopher Rezai explained: “It is so strong that we are overwhelmed by it and made my work easier.” From the beginning I knew I had to go to delicate music from the perspective.
Sadr al -Sadli said about the reason for the presence of women’s guidance and motorcycling in the film: He was already thinking about these issues. Our argument was not to do a strange thing. But you can’t get from Tajrish Square to Valiasr last year and don’t see phenomena like guidance patrol.
Rasool Sadr Ali said: “The screenplay we had was depicted and this is a clean and manipulated version. I hope we don’t have an audit for the release. My whole intention was to see the visualization of kindness on the screen.
Mehran Ghafourian also explained: I have my father and a daughter. Thank you for showing such a relationship with a father and daughter and thank you for trusting me.
The director of the work said, “Since” I am a song of fifteen years old, “I have tried to look at the family from an angle to a new look. Amin Hayai is also a trip and apologized for not being here. There is still no significant part of his abilities.
Rasool Sadr Ali said: It seems that these two generations of the fifties are out of the question; But that’s not the case. If a father -daughter relationship is created with comradeship and empathy, it will be Mana. Cinema needs a good producer more than anything else, and I am happy to have Sayed Maziar Hashemi in this project.