Trust cinema In this week’s program “Khat Fazhi” expert and journalist Kivan Kathirian together with Shadmehr Rastin and Mehran Kashani, two screenwriters and cinema lecturers, discussed and analyzed the problems of script writing in Iranian cinema from different angles. .
See the teaser of this roundtable below.
* Is the problem of Iranian cinema from the old days until now the screenplay?
*Honestly, I don’t agree with the general statement that the problem of Iranian cinema is the screenplay, but I can say what the problems of screenwriting in Iranian cinema are.
* When it comes to the problem of the film, all the actors of the cinema consider themselves beyond the script.
* The issue of censorship, if its relationship with the screenwriter and the cinema is clarified, we can more easily say where is the situation of the screenplay in the cinema?
Censorship is not a dialogue, censorship is not a conversation, specifically, censorship is the exercise of the power of a governing system over the creativity of an artist.
* When the highest cultural authority of a country wants to give success statistics, it gives numbers like the exchange market.
You shut down the newspapers, then where is the minister? Close the cinema, what do you want to do?
* The government considers the cinema to propagate its own thinking.
*Sir, we have nothing to say to you except one word, the famous no.
See and read the full text of this conversation on the 28th of Shahrivar on the Etemad online site and the Etemad newspaper.