Cinema “Wherever there is money, Farzaneh Matin wrote in the newspaper Etemad,” There is more corruption that football is one of the examples. ” The final dialogue of the game is out of the mouth of Adel Ferdowsi Pour, along with the heartbreaking scene of making Moses’ life beside the riverbank then the final title, a turning point in Iranian sports and social cinema, which has led to the less direct directing of this drama to this drama. Display the sport on the silver screen and show that the mafia is more inherently stronger than legal bureaucracy.
The film was screened at the forty -third Fajr Festival. The film is directed by Mohammad Ibrahim Yazdi and produced by Mustafa Kiaie. This time, Kiai is not as a director of social subjects but as a producer at the festival.
The film has put the game on one of the most controversial and most important football issues that had not been mentioned before, but Azizi has gone deep into the layers of corruption, collusion and betting and betting in Iranian football. Everything that the audience had only heard before this has been naked. The story begins when Musa, a veteran of football, after the death of his brother in the football field due to a sports accident, searches for the causes of the incident, and is confronted with bitter and shocking facts that reveal the unpleasant realities of football.
Mohsen Kiaei, Hoda Zein al -Abedin, Mohammad Bahrani, Matin Heidariinia, Hadith of Biabangard, Mehrdad Bakhshi and Sudabeh Jafarzadeh have played the role in this work.
As a first director, Azizi was able to get out of the cinema by making the game. The film, based on a real story, showed well how the contaminated hands behind football and the dirty money exchanged not only between the players but also the club managers to the cloakroom can change the lives of people to stay silent. This is even ready to kill and crime. In this work, Azizi was able to look at one of Iran’s most popular recreation by making a sports drama.
Mohsen Kiaei, who always presents a typical type of game in comedy and social roles, had an impact on the film, and this time he was able to provide a sympathetic face and help a lot of fictional space against Hoda Zein al -Abidine. , It was very neutral in scenes such as the prosecution or even the grave, it could not show that volume of mass and sadness.
Since the beginning of production, the film has been drawn to a lot. Even the initial name of the film, Tutu, changed because of the existing sensitivities. Despite these challenges, the production team decided to portray the real story. Mustafa Kiaie said in an interview that severe threats and opposition from groups that were unhappy with the disclosure of these facts have caused serious problems. However, the production team has been able to make this film with a firm will. Kiaie also said, “The strange things that happen behind the scene of sports, especially football, and the poisoned atmosphere of collusion and the exchange of dirty money were the main reason for the film’s making.”
Certainly the audience will reflect on watching the film because it is heavy for him to digest some of the spaces and words in football, but this is the fact of Iranian football.