Cinema Tina Jalali wrote in the Etemad newspaper; Recently, the Hashor Platform has announced the high -profile documentaries of the year, the films “anti -hero”, “Karun”, “Persian elementary school” and “in tobacco” were ranked first to fourth best -selling and high -profiles of the year, as well as the Art and Experience Experience of the Issis Family.
Although the documentary film screening online and in the movie theaters are two separate categories, the audience’s attention to some documentaries can be important.
Basically the documentary is one of the most important and most used cinematic species in the world, which is popular because of its high awareness. The filmmakers use this medium to express the concern and convey what they have in mind to bring the reality to the audience, since the structural rules of this film model are more and more cheaper and cheaper, and more attention is made of special and dissident filmmakers.
The more attractive, lean, and less speech documentary film, the greater the audience’s audience and there is a lot of curiosity and curiosity. From addiction, poverty, and cartoon to rape, invasion, and so on are themes that, despite the importance of the subject, have many difficulties for the director. But then after the construction, they flower and the show’s time is heavily seen. One of the topics that limited filmmakers accept the risk of making it is related to the political arena, although it has many difficulties to make, and filmmakers are more likely to build such documentaries and suffer from political attitudes and political issues.
If you remember just a few years ago, the foreign documentary of the “official funeral” about the mystery of a personality named Joseph Stalin, the leader of the Communist Party and the Soviet Union, was shown in the late nights of the Cinema Festival, and the audience had a great deal of contact with the film, and the importance of this documentary.
The late example of such documentaries, which was welcomed by the audience this year, is “Anti -Heaven” directed by Aref Afshar.
As mentioned, the film was welcomed to the extent that according to the Hashor; The “anti -hero” documentary became the most popular documentary of the year, though we saw that this documentary was popular at the Truth Cinema Festival this year and reached a few great sessions.
The “anti -hero”, focusing on the subject of Sadegh Khalkhali, expressed less narratives of the Khalkhali’s era and the thinking governing that period. This documentary had a lot of supporters and opponents, but what was noteworthy about the film is the facts about a hidden character in history.
The history of Iran has a lot of negative or positive figures such as Nateq Nouri, Mahmoud Ahmadinejad, Seyyed Mohammad Khatami, Saeed Jalili, Mohammad Javad Zarif, Mohsen Rezaei, Mir Hossein Mousavi, Massoud Rajavi, Abolhassan Bani Sadr, Saeed Hajjarian.
Just as Rakhshan Bani Etemad and Mojtaba Mirmamasb document the documentary “Turan Khanum” about Turan Mirhadi, the architect of childhood institutions and the mother of modern education in Iran and the founder of the Farhad School, the Children’s Book Council and the Children and Adolescents, or Mustafa Razaq Karimi, Imagine or Mohammad Hossein Mahdavian made a cinematic documentary in the dust about the life of Ahmad Motoselian or the documentary of his source assassination that examines the dimensions, effects, and why the Islamic Republic Party’s headquarters exploded in July 1360, which led to the testimony of Dr. Beheshti and a number of senior officials. These documentaries were each successful in the cinema medium, because when they chose fictional cinema for the narrative, they made popular and attractive films because of the aristocracy of the subject and the subject and the attention of the audience.
Recently, young director Aref Afshar said he plans to make documentaries about political figures such as Khatami or Ahmadinejad. He also said in an interview with Trust that a screenplay on one of the post -revolutionary events was trying to make it possible to make it. It seems that, given the director and the subjects he chooses, the filmmaker’s cinematic produced also attracts attention.
As the director’s documentary “Purgatory” has previously come up with a controversial theme about the ban on artists in the sixties, he was welcomed by audiences, filmmakers and politicians.