Cinema Maryam Bahr al -Alami wrote in the Etemad newspaper: Along the night and after hours of watching movies that maybe they were going to cinema, but eventually they are unveiled; The glory of cinema has stunned us cinematic. “Pierreper” after audit problems and licenses; Spectacular and spectacular in the 5 minutes, so powerful that the breaths of the Milad Tower were kept in the breasts with every look, taste or ideology. A serious, important film for today’s age, whose director’s knowledge and cultural roots reflect the frame of the frame such as painting and dialogue to dialogue like a poem.
Actai Barahani, the son of a living professor, Dr. Reza Barahani, who meets and talks with him is one of the honors of my life. With “Pierre” has shone the full brilliance of the cinema that can be transformed into a historical origin for Iranian cinema. Pre -and subsequent cinema that, if we are realistic and confess, is a little left for. Older; He is the cinema that does not claim to be social, but he knows his society carefully. He has never shouted feminine or masculine, but the unexpected portrayal of the femininity of his story is beautiful. The personality of three men of three generations in a tangible skill and detail is a psychological and sociological faculty of the men of his time. The actors of “Pierreper” have been brighter and technical than the other in the characters of the story. Hassan Pourshirazi has a lasting role -playing phenomenon and has been so madly living in his role that the audience does not deny the character of Ghulam Plaki to watch his art.
Hamed Behdad, like many of his career’s works, has been different, and by mastering the details of the face, it is not a moment like any of his long -standing role -playing role, and Mohammad Valizadgan with a limited but actually evolved, correctly and in size role in the role of the role. . Leila Hatami is also a good color with her stunning presence on the canvas of this authentic painting.
The script, using the precise language of contemporary and highly professional literature, has infiltrated the layers and has been written by the director. The music of the raging world of the work and the sound of the film is completely available to the story of the film. A calculated director that has specifically accompanied by a very good -natured and clever editor. The film passes over more than two -thirds of the interior, and filming and scenery are well -structured with the scope of life and the life of the cinema. The cinema that, after watching it, encourages the crowd of standing for a few minutes, as it surprised the thirsty eyes, the media excitement, and more importantly, the filmmakers like the author of this note finally do a hard -working teamwork They found that the excessive tiredness of the days, and perhaps the years of regret and effort for pure home cinema, is diminished, tired as Dr. Reza Barahani’s poetry; Written in a scene of the movie (I haveten to the sun, it didn’t come …).
Older; Hope is better days for Iranian cinema. Hope for a cinema that has to say in the world and still tells the story of the story, is spectacular to the end. Hope for independent and committed Iranian filmmakers to concerns that they do not make a movie at any cost … bring cinema to the cinema. Pure cinema and no more!