Cinema Trust Yasser Kheir, producer and director of the documentary, who was present at the 18th International Cinema Festival and won the award, said about the feedback he received from the documentary, saying: “The audience, depending on the personality and the world, and the past, each showed different feedback. Some expressed their feelings, and some preferred to think of the film after the film. A few people did not agree, but most of the feedback showed that the audience communicated with the film and advised others to watch the film..
He continued: In the two censorship we had at the Film Festival, all the tickets had been sold for about two days, and both sessions were released with a hall full of crowds. But the moment that came to my mind, the image of a middle -aged couple was sitting on their seats after the film was shown and the hall was empty, and the woman wiped her tears with a scrub and walked her supportive wife around the woman’s neck. This picture is very respectable and unforgettable for me.
In response to the question of whether the documentary has been censored and audited for the documentary, the director of the Cabin said: Yes, a few scenes from the film were censored and even the film could be completely abandoned, but the Documentary, Experimental and Animated Cinema Development Center supported the film and helped to broadcast the film.
He added: “The film is licensed at festivals, but unfortunately there has been no license to broadcast on the arts and online screening..
Documentary Director “Slowly»About the program I seeHe explained to policymakers for the purposeful display of this documentary: The film was made for ordinary spectators and citizens, and the best screening model was that it was displayed in art and online platforms. If a policymaker wants to see such films, it is better to come to the cinema like ordinary people or watch such films online. Because any understanding of these films is achieved in the collective space, relying on common sense and common sense. One or more policymakers behind closed doors and away from people if they see a movie will not go anywhere, and it will be policies that are far from the normal lives of the people and their issues..
The documentary said about the impact of artistic arts and showing on platforms more and more documentaries: It is definitely effective and helps, but two important issues are important in this way. One is censorship that makes the filmmaker unable to think freely and create what is concerned about his concern And expression Slow. Another is the indirect market for supply and demand, which makes the filmmaker unable to directly present his film to the audience.
He continued: In some cases a There is a barrier between the filmmaker and the spectator And tells the filmmaker to see whatever you want to make. Movie To the viewer Show, and on the other hand, it tells the audience that you can only choose from among the movies I have selected. Therefore, the two most important accelerators are the failure of the documentary film about the internal audience, censorship and disrupted supply and demand communication.
This documentary “Although the support that the government is documenting for film making is good, its support includes limited issues annually announcing,” he said. If this support involves wider themes, it will in the long run make the population more diverse to the documentary cinema..
No, about the introduction of one of the good documentaries he watched, he said: Because the technical stages after production and the censorship of the film continued until the festival days, so I failed to see the films as I wanted to see, but one of the films I saw was “Torgi” that I liked the father and son of the film..
At the end, Yasser said: “Documents that can communicate with today’s audience and bring them to theaters or watching on online platforms are made when the filmmaker Can Based on the conditions of the community, the feeling of strawSelf and audienceHis worldview, the ability And its knowledge In «Freedom»To create his ideas, make his cinematic world Building Slow, the investor find and Make his film and directly To take it to the audience.In this immediate and healthy connection between the filmmaker and the audience, the documentary film is also created, and naturally the films that are not associated with the audience are also out of the cycle, and the message is given to the filmmaker that this path is not right and another way should be tried. Are these conditions now available? Why do audiences see less documentary today?