Trust cinema It is the last days of the activities of directors of the 13th government cinema organization.
Some speculate that maybe the previous group (Mohammed Khazaei’s team) will be retained, and others believe that if the activities of Khazaei’s group were to continue in the 14th government, what was the insistence on forming a government of doctors? Dr. Mezikian has come to change the space for art and artists.
The point that draws attention in the meantime is the sleight of hand of the cinema organization in the past few days and 90 minutes.
While the name of the head of the new film organization will probably be announced next week
In the last moments and the last days, the cinema organization opened the information portal and the film licensing system to the audience and on the other hand solved the problems of films such as Masih Son of Maryam, Cinema Metropol, etc. Very good.
But the question is, in a situation where there were difficult days and conditions for the cinematographers and the cinema atmosphere in the last two or three years, what does this last-minute flirtation mean?
If these films had problems, how did they come out of uncertainty in the 90th minute and their problems were solved? If they had no problem, why did they challenge the filmmakers for the past two years? If the access to information about the process of obtaining the license and the names of cinematographers should not be published in the information portal, how will the last minutes be published?
Can we consider Seyyed Abbas Salehi’s presence as the new Minister of Guidance to be effective in this process of decision-makers and transparent affairs? Or are the decisions based on the power of Mohammad Khazai? In the second case, why didn’t Khazai use his decision-making power for the cinema and the convenience of moviegoers in the last three years?
It seems that the presence of Seyyed Abbas Salehi and the change in the country’s political climate with the presence of Dr. Mezikian and the departure of the ideas of sustainability are not without influence in these decisions.
And soon, we will see good news in the decisions of the director of the new cinema organization regarding good communication between directors and cinematographers, the lifting of the ban on artists, the revival of social cinema, etc.